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This volume, by offering a score of new insights derived from a wide variety of recent archaeological and textual sources, bring to life an important overseas trading port in Southeast Asia: Quanzhou. During the Song and Yuan dynasties active official and unofficial engagement in trade had formative effects on the development of the maritime trade of Quanzhou and its social and economic position both regionally and supraregionally. In the first part subjects such as the impact of the Song imperial clan and the local élites on these developments, the economic importance of metals, coins, paper money, and changes in the political economy, are amply discussed. The second part concentrates on the quantitative and qualitative analysis of archaeological data and materials, the investigation of commodities from China, their origins, distribution and final destinations, the use of foreign labour, and the particular role of South Thailand in trade connections, thus supplying the hard data underlying the main argument of the book.
By the end of the Sung dynasty (960-1279), known descendants of the three Chao brothers who had founded the dynasty numbered over 20,000. Unlike the rulers of many other Chinese dynasties, however, the Sung emperors were not plagued by challenges to their rule from their relatives. So successful was Sung policy on the imperial clan that it would serve as a model for the subsequent Ming and Ch'ing dynasties. How the Sung created a social and political asset in the imperial clan while neutralizing it as a potential threat is the story of this book. This study of the imperial clan as an institution analyzes the history, its political tile and the lifestyle of its members, focusing on their residence patterns, marriages and occupations.
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
From Paleolithic flax to 3D knitting, explore the global history of textiles and the world they weave together in this enthralling and educational guide. The story of humanity is the story of textiles -- as old as civilization itself. Since the first thread was spun, the need for textiles has driven technology, business, politics, and culture. In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. From Minoans exporting wool colored with precious purple dye to Egypt, to Romans arrayed in costly Chinese silk, the cloth trade paved the crossroads of the ancient world. Textiles funded the Renaissance and the Mughal Empire; they gave us banks and bookkeeping, Michelangelo's David and the Taj Mahal. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code. Assiduously researched and deftly narrated, The Fabric of Civilization tells the story of the world's most influential commodity.
The Sung Dynasty (960-1279) was a paradoxical era for Chinese women. This was a time when footbinding spread, and Confucian scholars began to insist that it was better for a widow to starve than to remarry. Yet there were also improvements in women's status in marriage and property rights. In this thoroughly original work, one of the most respected scholars of premodern China brings to life what it was like to be a woman in Sung times, from having a marriage arranged, serving parents-in-law, rearing children, and coping with concubines, to deciding what to do if widowed. Focusing on marriage, Patricia Buckley Ebrey views family life from the perspective of women. She argues that the ideas, a...
The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
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《紐約時報》、《華爾街日報》、《出版人週刊》書評盛讚 從尼安德塔人如何紡紗,到近代社會衣著的形塑, 自人類紡出第一條線為始, 紡織品成為推動人類歷史前進的重要因素! 人類歷史有多長,織物的歷史就有多長。紡織品與紡織技術,是人類文明的重大結晶,也是人類歷史的象徵。從上古時代農業社會興起時,人類種植的農業作物,從農業作物中紡出細細纖維,創造了遮蔽身體的布料,也開創了文化與歷史的航程。 隨著工業發展、數學邏輯的創新,人們對於紡織的技術也逐漸加強。對紡織品的渴望,使商人跨越大...
Winner, 2024 Geiss-Hsu Book Prize for Best First Book, Society for Ming Studies The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcen...
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