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Paradise has shaped our poetic and religious imagination and informed literary and theological accounts of man's relation with his creator, with language and history. Doueihi contemplates the philosophical reception and uses of Paradise, marked by the rise of critical and historical methods in the Early Modern period.
These free verse, experimental poems show us that Jennifer Kilgore-Caradec has been influenced by Ezra Pound, the Beats and/or Whitman, but also Language poets. She uses anaphora, aeration, epigraphs, different stanza lengths, creates shape poems and ars poeticas. She freely associates, allowing the words and thoughts to take her wherever they do. It’s a joy to read her work whether in English or in French...'' Biljana D. Obradović, author of Little Disruptions and Incognito À PROPOS DE L’AUTRICE Jennifer Kilgore-Caradec teaches English at Université Caen Normandie and is a researcher with LARCA, umr 8225 at University of Paris. She was born before John F. Kennedy was assassinated and to date has published few poems.
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‘Love is harder to explain than hunger, for a piece of fruit does not feel the desire to be eaten’: Denis Diderot’s Éléments de physiologie presents a world in flux, turning on the relationship between man, matter and mind. In this late work, Diderot delves playfully into the relationship between bodily sensation, emotion and perception, and asks his readers what it means to be human in the absence of a soul. The Atheist’s Bible challenges prevailing scholarly views on Diderot’s Éléments, asserting its contemporary philosophical importance, and prompting its readers to inspect more closely this little-known and little-studied work. In this timely volume, Warman establishes the ...
The humour of Tristram Shandy has often been acknowledged, but it is not easy to find scholarly articles on Laurence Sterne which suggest that their authors laughed as they wrote. Nine authors have been invited to redress this in the year of the tercentenary of Sterne’s birth. This volume offers nine different facets of humour, a kaleidoscope which enables readers to recombine at will the genial, the bawdy, the sentimental, the ludicrous, the hobby-horsical, the philosophical, the irreverent, the incongruous and the facetious, sending the text spiralling out of the page.
This book examines the intellectual and cultural life of turn-of-the-century Vienna, one of the most important centers of creativity in Europe.
This book investigates the role of humor in the good life, specifically as discussed by three prominent French intellectuals who were influenced by Nietzsche's thought: Georges Bataille, Gilles Deleuze, and Clément Rosset. Lydia Amir begins by discussing Nietzsche’s reception in France, and she explains why and how he came to be considered a "philosopher of laughter" in the French academe. Each of the subsequent three chapters focuses on the significance of humor and laughter in the good life as advocated by Bataille, Deleuze, and Rosset. These chapters also explore the complex relationship between the comic and the tragic, and of humor and laughter to irony, satire, and ridicule. The Legacy of Nietzsche’s Philosophy of Laughter makes an invaluable contribution to recent interpretive work done on Bataille and Deleuze, and offers further introduction to the relatively understudied Rosset. It illuminates the philosophies of these three thinkers, their connection to Nietzsche, and, overall, the significant role that humor plays in philosophy.
Conference organized by the International Feuchtwanger Society, held in June 2005 at Sanary-sur-Mer.