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We acknowledge the initiation and support of this Research Topic by the International Union of Immunological Societies (IUIS). We hereby state publicly that the IUIS has had no editorial input in articles included in this Research Topic, thus ensuring that all aspects of this Research Topic are evaluated objectively, unbiased by any specific policy or opinion of the IUIS.
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new arc...
This book reviews current science and applications in fields including thrombosis and hemostasis, signal transduction, and non-thrombotic conditions such as inflammation, allergy and tumor metastasis. It is a detailed, up-to-date, highly referenced text for clinical scientists and physicians, including recent developments in this rapidly expanding field. More than a scientific resource, this is also an authoritative reference and guide to the diagnosis.
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
On 11 July 1982, Elisa Sordi was beautiful. Commissario Michele Balistreri was fearless. Italy was victorious. A killer was waiting... On 9 July 2006, with Sordi's case twenty-four years cold, and Balistreri haunted by guilt and regret, Italian victory returned. And so did Sordi's killer... But this time Michele Balistreri would be ready. This time he would fear no evil.