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An Endangered History
An Endangered History examines the transcultural, colonial history of the Chittagong Hill Tracts, c. 1798–1947. This little-studied borderland region lies on the crossroads of Bangladesh, India, and Burma and is inhabited by several indigenous peoples. They observe a diversity of religions, including Buddhism, Hinduism, animism, and Christianity; speak Tibeto-Burmese dialects intermixed with Persian and Bengali idioms; and practise jhum or slash-and-burn agriculture. This book investigates how British administrators from the eighteenth to mid-twentieth centuries used European systems of knowledge, such as botany, natural history, gender, enumerative statistics, and anthropology, to construct these indigenous communities and their landscapes. In the process, they connected the region to a dynamic, global map, and classified its peoples through the reifying language of religion, linguistics, race, and nation.
In the Kacch
This personal narrative about life in a remote desert region of western India tells of how love of place and love of person find their equilibrium in a world far removed from modernity. Yet this small, distant land of kingship and pastoral life is rapidly being eroded by the new India of commerce and industrialization. The author describes how an ancient society is transformed by the culture of consumption where the lyrical beauty of balance, exchange and loyalty is translated into a single market economy. The people and places of post-Partition Kacch, where even the land and value systems of a lately independent India now appear in a nostalgic light, are described in detail. This is a record of private emotion and physical terrain, of traditions and of profound social practice.
Vysa Redux
Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.
Ranis And The Raj
Traditionally, history has been telling us the stories of kings. In the long tradition of history writing, his-story has always dominated over her-story. Though queens evoke a sense of romance and their stories are told like fairy tales, it is common enough to find that these stories end in tragedy. In India's history, not all queens are remembered today. Some are celebrated; while others have been almost ignored by historians. In Ranis and the Raj, Queeny Pradhan has selected six queens. All the six queens are fromthe nineteenth century and have faced the British Raj, the East India Company and the Crown. From the Rani of Sirmur, who was the earliest to deal with theBritish authorities, to ...
The Mortal God
The Mortal God is a study in intellectual history which uncovers how actors in colonial India imagined various figures of human, divine, and messianic rulers to battle over the nature and locus of sovereignty. It studies British and Indian political-intellectual elites as well as South Asian peasant activists, giving particular attention to Bengal, including the associated princely states of Cooch Behar and Tripura. Global intellectual history approaches are deployed to place India within wider trajectories of royal nationhood that unfolded across contemporaneous Europe and Asia. The book intervenes within theoretical debates about sovereignty and political theology, and offers novel arguments about decolonizing and subalternizing sovereignty.
Sovereignty, International Law, and the Princely States of Colonial South Asia
What constitutes a sovereign state in the international legal sphere? This question has been central to international law for centuries. Sovereignty, International Law, and the Princely States of Colonial South Asia provides a compelling exploration of the history of sovereignty through an analysis of the jurisdictional politics involving a specific set of historical legal entities. Governed by local rulers, the princely states of colonial South Asia were subject to British paramountcy whilst remaining legally distinct from directly ruled British India. Their legal status and the extent of their rights remained the subject of feverish debates through the entirety of British colonial rule. Th...
The Quest for the Northwest Passage
These essays trace the history of the British search for the Northwest Passage – the Arctic sea route connecting the Atlantic and Pacific oceans – from the early modern era to the start of the nineteenth century.
Empress
“A widely and deeply researched, elegantly written, and vital portrayal of [Queen Victoria’s] place in colonial Indian affairs.”(Journal of Modern History) In this engaging and controversial book, Miles Taylor shows how both Victoria and Albert were spellbound by India, and argues that the Queen was humanely, intelligently, and passionately involved with the country throughout her reign and not just in the last decades. Taylor also reveals the way in which Victoria’s influence as empress contributed significantly to India’s modernization, both political and economic. This is, in a number of respects, a fresh account of imperial rule in India, suggesting that it was one of Victoria...
The Vedic Core of Human History
The origin of world civilization can be traced to the Indus Valley cradle, where brilliant and original thinkers made groundbreaking discoveries. The history of these discoveries is recorded in the vast Sanskrit literature. In this study, author M. K. Agarwal explores the cultural and historical significance of the region. He explores Indus Valley culture, which encouraged creative thought as opposed to the Abrahamic faiths, which herded followers into dogmatic thinking. He holds that these religions prospered because of their unfettered hatred of the Vedic-Hindu-Buddhist peoples, who were demonized as pagans to be murdered, tortured, raped, enslaved, and robbed. He also considers the achiev...
Music in Colonial Punjab
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
