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An Endangered History
An Endangered History examines the transcultural, colonial history of the Chittagong Hill Tracts, c. 1798–1947. This little-studied borderland region lies on the crossroads of Bangladesh, India, and Burma and is inhabited by several indigenous peoples. They observe a diversity of religions, including Buddhism, Hinduism, animism, and Christianity; speak Tibeto-Burmese dialects intermixed with Persian and Bengali idioms; and practise jhum or slash-and-burn agriculture. This book investigates how British administrators from the eighteenth to mid-twentieth centuries used European systems of knowledge, such as botany, natural history, gender, enumerative statistics, and anthropology, to construct these indigenous communities and their landscapes. In the process, they connected the region to a dynamic, global map, and classified its peoples through the reifying language of religion, linguistics, race, and nation.
Royal Patronage, Power and Aesthetics in Princely India
Investigating the aesthetics of the zenana – the female quarters of the Indic home or palace – this study discusses the history of architecture, fashion, jewellery and cuisine in princely Indian states during the late nineteenth and twentieth centuries.
Courtly Indian Women in Late Imperial India
Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.
Secularism, Islam and Education in India, 1830–1910
During the nineteenth century British officials in India decided that the education system should be exclusively secular. Drawing on sources from public and private archives, Ivermee presents a study of British/Muslim negotiations over the secularization of colonial Indian education and on the changing nature of secularism across space and time.
Ireland and Empire, 1692-1770
Historians often view early modern Ireland as a testing ground for subsequent British colonial adventures further afield. McGrath argues against this passive view, suggesting that Ireland played an enthusiastic role in the establishment and expansion of the first British Empire. He focuses on two key areas of empire-building: finance and defence.
Popular Culture in a Globalised India
As India celebrated the sixtieth anniversary of its independence, much praise was lavished on its emergence as a major player on the global stage. Its economic transformation and geopolitical significance as a nuclear power are matched by its globally resonant cultural resources. This book explores India’s rich popular culture. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. Structured thematically and drawing on a broad range of academic disciplines, the book deals with critical issues including: - Film, television and TV soaps - Folk theatre, Mahabharata-Ramayana ,myths, performance, i...
Empire of Influence
"This book makes important contributions to the history of the East India Company and the history of indirect rule. It will be relevant for students and academics interested in India, the British empire, and European overseas empires generally"--
The Mortal God
The Mortal God is a study in intellectual history which uncovers how actors in colonial India imagined various figures of human, divine, and messianic rulers to battle over the nature and locus of sovereignty. It studies British and Indian political-intellectual elites as well as South Asian peasant activists, giving particular attention to Bengal, including the associated princely states of Cooch Behar and Tripura. Global intellectual history approaches are deployed to place India within wider trajectories of royal nationhood that unfolded across contemporaneous Europe and Asia. The book intervenes within theoretical debates about sovereignty and political theology, and offers novel arguments about decolonizing and subalternizing sovereignty.
Music in Colonial Punjab
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
In the Kacch
This personal narrative about life in a remote desert region of western India tells of how love of place and love of person find their equilibrium in a world far removed from modernity. Yet this small, distant land of kingship and pastoral life is rapidly being eroded by the new India of commerce and industrialization. The author describes how an ancient society is transformed by the culture of consumption where the lyrical beauty of balance, exchange and loyalty is translated into a single market economy. The people and places of post-Partition Kacch, where even the land and value systems of a lately independent India now appear in a nostalgic light, are described in detail. This is a record of private emotion and physical terrain, of traditions and of profound social practice.
