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The Indian Portrait - 5
This catalog details the journey of the academic realism and colonial influence that impacted Raja Ravi Varma’s works and his contemporaries like Rustom Siodia, Pestonji Bomanji, Abalal Rahiman, M V Dhurandhar, A X Trindade, M F Pithawalla, Fyzee Rahamin, Ravi Shankar Raval, Ghasiram Sharma and many others.
The Indian Portrait
A catalogue showcasing the artistic journey of portraits from miniature to modern art. It starts with the miniature paintings done by different schools like Pahadi, Rajasthani, Central Province, Deccan, Company period, Bengal, Colonial Influence and goes all the way up to modern art. The catalogue has 37 portraits which were exhibited in October 2010.
The Indian Portrait - 8
This exhibition catalogue covers the art of portraiture which flourished in the royal courts of Rajasthan. Rajput rulers, warriors, heads of religious institutions and rich and influential merchants were the major patrons or art and had their portraits painted for visual documentation, political gifts and also as valuable art objects.
Nathdwara Paintings from the Anil Relia Collection
- Anil Relia's impressive collection of Nathdwara paintings and sketches displays the fine quality of artistry engaged in the service of Shrinathji - The painters acted as story tellers by recounting the exploits of Krishna while also documenting important historical events and personages at the Nathdwara temple, Rajasthan - The scholarly insights of distinguished art historians Kalyan Krishna and Kay Talwar have enriched this authoritative and engaging catalog Nathdwara, located in the Aravalli Hills of Rajasthan, is home to Shrinathji, a 15th-century manifestation of the child-god Krishna holding up Mount Govardhan. Since the establishment of the haveli (temple mansion) in 1671, artists ha...
The Indian Portrait - 3
The third catalog in the series of Indian Portraits focusing on printed portraits. There are over 150 portraits, from earliest being printed in 1580 all the way up to 1948. The printed portraits in different graphic media include woodcut, copper engraving, steel engraving, wood engraving, lithograph & chromolithograph. They were exhibited at Surat in March 2014 and at Ahmedabad in August 2014.
The Indian Portrait - 2
This catalogue focuses on the illustrious Tilkayat Govardhanlalji who is considered the most important in Nathdwara’s history. Containing 55 paintings arranged chronologically. The paintings are done by various artists in different media and subject, the common element being Tilkayat Govardhanlalji. They were exhibited in December 2013.
Portraits of Devotion
This volume looks at popular manorath paintings of Pushti Marg devotees from the Anil Relia collection. 0Art collector Anil Relia had always admired the miniature paintings of the Nathdwara school, which grew out of the religious devotion of the Pushti Marg (Path of Grace). On one of his trips to this pilgrimage town, he encountered 'manorath' paintings, whose unusual visual elements attracted his attention immediately. Originally part of the Pushti Marg popular culture, 'manorath' paintings were often commissioned by devout followers as an indelible record of a pilgrimage trip to Nathdwara.
The Indian Portrait - 4
The Mughal documentation is known as the best recorded history of the world. The catalogue is an attempt to showcase the lineage of the Mughal emperors who ruled in India and their heritage, in terms of their lives, pursuits, art, conquests, administration alongwith a peep into their shrewd politics. All works are part of a Mughal Muraqqa compiled by Hakim Ahsanallah Khan, who was the chief adviser of the last Mughal Emperor, Bahadur Shah Zafar, in the year 1270 A. H. (1854 A. D.). They were exhibited in October 2014.
The Indian Portrait - 10
The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.
The Indian Portrait VII
The seventh exhibition in the series, focuses on the development of portraiture after the coming of the camera to India. It fuelled the enthusiasm of the Indian artists and photographic studios mushroomed across the country. Artists started using photographs to enhance portrait paintings, they developed a new aesthetic that integrated aspects of painting and photography in one image.
