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During 1988 Anita Bunn left South Africa for America to see how other people lived. It would be for 36 months, she told her mother. She returned 8 years later with her son and settled into a small cottage on a big farm in the middle of the Stellenbosch vineyards. With great gusto, she started a new chapter in her life, falling face first into gardening, animal husbandry, compost, art and raising a son solo with often hilarious results. Anita penned these tails in a local newspaper, writing passionately about self-sustainability, her relationship with her animals and soil which she lovingly tendered throughout her life. Recipes of traditional and not so traditional South African delicacies we...
First multi-year cumulation covers six years: 1965-70.
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"Investigative Agents, Executive council, and Other Representatives from the Sovereign State of Aztlan is the catalog for the 1995 show at The Mexican Museum in San Francisco curated by Armando Rascon. Intro by Tere Romo. Artists include Lucia Grossberger-Morales, Marisa Hernandez, Elisa Jimenez, Daniel J. Martinez, Inigo Manglano-Ovalle, Ruben Ortiz, Francesco X. Siqueiros."--Abebooks.com viewed November 13, 2020
A mystical and whimsical tale of the comings and goings of all the residents in this enchanting garden, extending outwards into the plants, upwards into the sky, and downwards into the soil... from the cottage at the heart of things, where the Girl and Pellet Gun Pete live, surrounded by the creatures and their habitats, and the adventures (and misadventures) that befall them all, under the great African sky. To enter this world is to step through a portal into a world of connectedness, of all beings, of all growing things, and to hear the promptings of the earth, and witness nature at work (and play!)... Twenty-five years ago, Anita Bunn moved to a little farm cottage in the middle of the S...
"Los Angeles artist Sylvia Shap has claimed as her domain the art of portraiture. Her life-sized portraits of contemporary men, women, and children are precisely rendered and confrontational in the sense that her subjects always look out directly at the viewer. We notice immediately that the model is cognizant of their presence in Shap's compositions." -- Jim Edwards, page 11.
In a survey of Californian-based artist Mike Kelly, the author of this volume discusses with the artist his various aesthetic and symbolic strategies in both the American and In European contexts. Kelly's work is considered in the context of his anti-art predecessors since Dada and chronicles all of Kelly's work, from his earliest performances in the late 1970s to his large sculptural installations in the 1990s.