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The Princess of Flourae
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Double-take
In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay
Shadowed Dreams
This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimké, Gladys May Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from rediscovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice M. Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others.
Eight Days in Darkness
On June 25, 1998, Anita Wooldridge was taken from her parents' home in broad daylight by a convicted rapist. For eight terrifying days, Anita was savagely beaten and raped by her captor, who locked her in a metal storage cabinet for hours at a time. With only a steadfast faith in God to comfort her, Anita refused to give up hope that she would be found.Eight Days in Darkness chronicles the shocking events of Anita's kidnapping, including her transport across state lines, and the impressive efforts of local authorities and FBI agents which led to her rescue and the dramatic capture and conviction of her abductor. Anita's story is still used today as a case study for prospective FBI agents, and Eight Days in Darkness paints a portrait of the real-life battle between good and evil.
African American History in New Mexico
Although their total numbers in New Mexico were never large, blacks arrived with Spanish explorers and settlers and played active roles in the history of the territory and state. Here, Bruce Glasrud assembles the best information available on the themes, events, and personages of black New Mexico history. The contributors portray the blacks who accompanied Cabeza de Vaca, Coronado and de Vargas and recount their interactions with Native Americans in colonial New Mexico. Chapters on the territorial period examine black trappers and traders as well as review the issue of slavery in the territory and the blacks who accompanied Confederate troops and fought in the Union army during the Civil War in New Mexico. Eventually blacks worked on farms and ranches, in mines, and on railroads as well as in the military, seeking freedom and opportunity in New Mexico’s wide open spaces. A number of black towns were established in rural areas. Lacking political power because they represented such a small percentage of New Mexico’s population, blacks relied largely on their own resources and networks, particularly churches and schools.
Painted
The Antiques Roadshow, if Stephen King was the host... When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn't the chill of the secluded house making her shiver, it's the silent audience of portraits clustered on every wall, watching her. The lawyer didn't share the dead artist's instructions for handling his art, and Anita and her team start work ignorant of the instructions designed to keep them safe. Safe from the art. There are secrets hiding in Kubin's house, and as Anita and her team discover, secrets don't want to stay hidden. Described as Caravaggio meets Poltergeist - Painted is a gothic horror novel with a decent serving of psychological unease and a healthy fear of the dark. Perfect for lovers of Shirley Jackson's The Haunting of Hill House.
Thank Your Lucky Stars: The 60's Pop Show Featuring The Kinks, The Beatles And The Rolling Stones
Fully revised and expanded, this history of the influential 1960's pop show contains a wealth of facts, information and trivia on ABC's Lucky Stars, a weekly pop show that ran from 1961 to 1966. The Beatles, the Kinks and the Rolling Stones were among the many hundreds of artists that travelled up the M1 to the Alpha studios in Birmingham to appear on the show. Chapters in the book deal with the history of the show, an analysis of the surviving episodes, a detailed look at a rare surviving script, a discussion of the crew, books and records, the artists who appeared from 1961 to 1966 and the songs they performed and the Australian version of the show. Fully illustrated throughout, there are ...
The Twain Shall Meet
None
"Tell It to Us Easy" and Other Stories
During the Harlem Renaissance, several literary periodicals encouraged African American women to submit poetry, short stories, essays, or other literary contributions for publication. Opportunity magazine was one such periodical that made immeasurable contributions to the careers of many female African American writers. This anthology collects all of the short stories published in Opportunity by African American women during the magazine's 25 years of publication. It includes works by both well-known authors (Zora Neale Hurston, Marita Bonner) and more obscure writers. There is also an additional African tale translated by Violette de Mazia, a white woman known for promoting African American art. It also includes an introduction which contextualizes the short stories historically in light of the overall development of African American writing.
The Harlem Renaissance in the American West
This collection of essays focuses on many of the Western U.S. communities that participated in the Harlem Renaissance between 1914 and 1940.
