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Experimental Film and Anthropology
Experimental Film and Anthropology urges a new dialogue between two seemingly separate fields. The book explores the practical and theoretical challenges arising from experimental film for anthropology, and vice versa, through a number of contact zones: trance, emotions and the senses, materiality and time, non-narrative content and montage. Experimental film and cinema are understood in this book as broad, inclusive categories covering many technical formats and historical traditions, to investigate the potential for new common practices. An international range of renowned anthropologists, film scholars and experimental film-makers engage in vibrant discussion and offer important new insights for all students and scholars involved in producing their own films. This is indispensable reading for students and scholars in a range of disciplines including anthropology, visual anthropology, visual culture and film and media studies.
Contemporary Moroccan Thought
Contemporary Moroccan Thought offers a new and broad coverage of the intellectual dynamics and scholarly output of what is presented here as the Rabat School since the 1950s. Geographically situated at the western edge of the classical Arab-Islamic world, Moroccan scholarship has made a belated yet vigorous comeback on the modern Arab intellectual scene, attracting wider reception beyond the Arabic-speaking world, through influential contributions in philosophical, theological, social and cultural studies. This volume sets a new standard in the study of Moroccan, North African, and Middle Eastern societies, and will undoubtedly remain an important scholarly reference for generations to come....
Between the Forest and the Road
Audiences for contemporary German film and television are becoming increasingly transnational, and depictions of German cultural history are moving beyond the typical post-war focus on Germany’s problematic past. Entertaining German Culture explores this radical shift, building on recent research into transnational culture to argue that a new process of internal and external cultural reabsorption is taking place through areas of mutually assimilating cultural exchange such as streaming services, an increasingly international film market, and the import and export of Anglo-American media formats.
Staging the Past
Popular representations of history are taking on new forms and reaching wider audiences. The search for usable pasts is branching out into active appropriations of history such as historical theme parks, housing developments, and live-action role play. Drawing on themed environments across the continents, the articles in this volume focus on how these appropriations bypass, are different from, or even contradict traditional as well as scientific modes of disseminating historical knowledge. Bringing together theorists and practitioners, they provide the basis for an interdisciplinary as well as a transcultural theory of how pasts are staged in various social contexts.
Blood Brothers and Peace Pipes
"Nineteenth-century writer Karl May wrote novels about a fictionalized American Wild West that count among the most popular books of German literature to this day. His stories left an imprint on German culture, resulting in a variety of Wild West festivals featuring Native Americans and frontier settlers. These Karl May festivals are hosted widely throughout German-speaking countries today. This book, based on years of fieldwork observing and studying the festivals, plays, events, and groups that comprise this subculture, addresses a larger, timely issue: cultural transfer and appropriations. Are Germans dressing up in American Indian costumes paying tribute or offending the cultures they are representing? Avoiding simplistic answers, A. Dana Weber considers the complexity of cultural enactments as they relate both to the distinctly German phenomenon as well as to larger questions of cultural representations in American and European live performance traditions."
A Reader in Themed and Immersive Spaces
"Themed spaces have, at their foundation, an overarching narrative, symbolic complex, or story that drives the overall context of their spaces. Theming, in some very unique ways, has expanded beyond previous stereotypes and oversimplifications of culture and place to now consider new and often controversial topics, themes, and storylines."--Publisher's website.
Bräuche : Medien : Transformationen
Bräuche, Rituale und gemeinschaftliche Praktiken spiegeln aktuelle gesellschaftliche Prozesse, gleich ob sie auf lange Überlieferungen zurückblicken können oder neu entstandene Phänomene sind. Mit der großen Bedeutung von Medien rücken diese und mit ihnen zusammenhängende Fragen in den Blick der volkskundlichen Forschung: Medial vermittelt genießen Bräuche über ihre engeren sozialen und lokalen oder regionalen Bezugssysteme hinaus breite öffentliche Aufmerksamkeit; neue Medien bieten den Brauchakteuren selbst Möglichkeiten der vernetzten Kommunikation, der öffentlichen Inszenierung und der Reflexion des eigenen performativen Handelns; neue Medien sind kaum noch überschaubare R...
Making Islam Work
The development of Islamic landscapes in Europe, is first and foremost related to Islamic authority. Religious authority relies on persuasiveness and deals with issues of truth, authenticity, legitimacy, trust, and ethics with reference to religious matters. This study argues that Islamic authority-making among European Muslims is a social and relational practice that is much broader and versatile than theological proficiency and personal status. It can also be conferred to objects, activities, and events. The book explores various ways in which Islamic authority is being constituted among Muslims in Western Europe with a particular focus on the role of ‘ordinary’ Muslims. This book is available in its entirety in Open Access.
Crafting 'The Indian'
In Europe, Indian hobbyism, or Indianism, has developed out of a strong fascination with Native American life in the 18th and 19th centuries. “Indian hobbyists” dress in homemade replicas of clothing, craft museum-quality replicas of artifacts, meet in fields dotted with tepees and reenact aspects of North American Indian lifeworlds, using ethnographies, travel diaries, and museum collections as resources. Grounded in fieldwork set among networks of Indian hobbyists in Germany, the Netherlands, Belgium, France, and the Czech Republic, this ethnography analyzes this contemporary practice of serious leisure with respect to the general human desire for play, metaphor, and allusion. It provides insights into the increasing popularity of reenactment practices as they relate to a deeper understanding of human perception, imagination, and creativity.
Laute, Bilder, Texte
Laute, Bilder und Texte bezeichnen unterschiedliche Materialien und mediale Formate, die in Archiven gelagert und von Interessierten genutzt und ausgewertet werden. Die Beiträgerinnen und Beiträger dieses Bandes sondieren anhand alltagshistorischer Studien die Praktiken der Akteure im Umgang mit diesen Spuren und Überresten und decken dabei ein breites Medienspektrum ab: Tonaufnahmen, Manuskripte, Fotografien, Filme, Videos sowie all die vergessenen Dinge, die in den Mappen und Kartons der Archive gelagert sind. Dabei geraten auch die Unterschiede zwischen ›kolonialen‹ und ›indigenen‹ Archiven sowie die monopolistische Stellung der westlich geprägten Wissenschaften in den Blick.
