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A Fly in the Curry
An engaging read on independent documentary filmmaking in India
Many Voices, Many Worlds
Community media has the potential for deepening democracy by creating spaces for people to raise and discuss their concerns. However, its practice in India tends to be based on top-down decision-making, which is the legacy of the Development Communication paradigms, thus ignoring the creative and transformative possibilities of marginalized community voices. The perspectives in this book, rooted in years of fieldwork experience, by scholars and practitioners of community media, both question and offer alternatives to the dominant paradigms. Many Voices, Many Worlds: Critical Perspectives on Community Media in India is a critical reflection on governance and policymaking, development, disability, knowledge and other social markers in the context of community media. Bringing together different modes of community media - such as video, radio, theatre, information and communication technologies (ICTs) and new media - into a productive conversation with each other, the book focuses on how communities through their communicative practices, negotiate the politics of caste, class, gender, and access to funding and technology.
A Fly in the Curry
An engaging read that explores independent documentary film in India as a site of resistance. This book looks at how independent Indian documentary film reworks the relationship between film-makers, their narratives, their subjects and their audience, challenging the dominant idea of documentary as a discourse of the real. Based on close textual analysis, conversations with film-makers and drawing on Breitrose’s cinéma-vérité film-maker as a ‘fly in the soup’, this work explores the place of documentary within the Indian public sphere.
Diginaka
Differential and changing access to the Internet in Indiahas led to an explosion of user-created content across various platforms and media. This turn to the digital also has political and economic consequences, as seen in the imposition of AADHAAR and demonetisation. While the digital divide intensifies social hierarchies of caste, class and gender, it can also become part of post-capitalist ecologies, traversing the formal and informal sectors, even as the digital becomes central to social and political practices in different marginalised communities. Diginaka: Subaltern Politics and Digital Media in Post-Capitalist India explores this complex space of the digital from multiple perspective...
Indian Cinema Beyond Bollywood
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Black Film British Cinema II
The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the devel...
Documentary Films in India
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Documentary Film in India
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performa...
Consuming Audiences?
This text explores the intersection between research in political economy and reception analysis - the interaction between media production and audience reception/consumption. Questions asked include: what role does textual analysis play in the study of production contexts and audiences' reception?
