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This book explores different forms of Community Media, focusing on how the politics of caste, class, gender, and access to funding and technology, come to bear upon communities and their communicative practices.
An engaging read on independent documentary filmmaking in India
This book examines the enormous industry of Indian popular cinema. It provokes a thinking of cinema as political in the widest sense - from its importance in ideas of nation and national cultural formation to class and gender.
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a'tactical practice', contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system.
The title of this book comes from an ancient parable about a farmer who, when greeted with fortune or misfortune has the same retort: “Good news, bad news, who can tell?” The parable provides some simple wisdom in approaching turbulence and catastrophe in life, such as living through a pandemic. This book offers a variety of touching stories, lyrics, and poems written by people who represent nine categories of those on the frontlines of the pandemic (educators, COVID survivors, artists, clergy, those who lost loved ones, students, physicians, restauranteurs, and journalists) from the U.S. and India, regarding experiences, lessons and wisdom they acquired. A novel interpretation of the pa...
This book explores the political, economic, and cultural forces, locally and globally that have shaped the evolution of Chinese primetime television dramas, and the way that these dramas in turn have actively engaged in the major intellectual and policy debates concerning the path, steps, and speed of China’s economic and political modernization during the post-Deng Xiaoping era. It intertwines the evolution of Chinese television drama particularly with the ascendance of the Chinese New Left that favors a recentralization of state authority and an alternative path towards China’s modernization and China’s current administration’s call for building a "harmonious society." Two types of...
Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of "creative clusters" – industrial parks devoted to media industries, and arts districts – in order to promote the development of the creative industries. This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large a...
This is the first in-depth study of how television viewers around the world respond to the ever increasing mass of information available from news programmes. Based on individual and household interviews in seven countries including India, Mexico, Italy and Denmark, the contributors examine the flow of news information across national and international borders.
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a r...