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Stringer
Stringer is an account of a year and a half that Sundaram spent in the country working for the Associated Press. It was an intense period that would take him deep into the shadowy city of Kinshasa, the dense rainforests that still evoke Conrad's vision, and the heart of Africa's great war, culminating in the historic and violent multiparty elections of 2006. Along the way he would go on a joyride with Kinshasa's feral children, fend off its women desperate for an escape route, and travel with an Indian businessman hunting for his fortune. Written with startling beauty and acuity, Stringer is a superb piece of reportage. It marks the debut of a breathtaking new talent.
Bad News
Hearing a blast, journalist Anjan Sundaram headed uphill towards the sound. Grenade explosions are not entirely unusual in the city of Kigali; dissidents throw them in public areas to try and destabilise the government and, since moving to Rwanda, he had observed an increasing number of them. What was unusual about this one, however, was that when Sundaram arrived, it was as though nothing had happened. Traffic circulated as normal, there was no debris on the streets and the policeman on duty denied any event whatsoever. This was evidence of a clean-up, a cloaking of the discontent in Rwanda and a desire to silence the media in a country most of whose citizens were without internet. This was...
Africa's Media Image in the 21st Century
Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign corr...
Breakup
After ten years of reporting from central Africa for The New York Times, Associated Press, and others, Anjan Sundaram finds himself living a quiet life in Shippagan, Canada, with his wife and newborn. But when word arrives of preparations for ethnic cleansing in the Central African Republic, he is suddenly torn between his duty as a husband and father, and his moral responsibility to report on a conflict unseen by the world. Soon he is traveling through the CAR, with a driver who may be a spy, bearing witness to ransacked villages and locals fleeing imminent massacre, fielding offers of mined gold and hearing stories of soldiers who steal schoolbooks for rolling paper. When he refuses to return home, journeying instead into a rebel stronghold, he learns that there is no going back to the life he left behind. Breakup illuminates the personal price that war correspondents pay as they bear witness on the frontlines of humanitarian crimes across the world. This brilliantly introspective, grounded account of one man’s inner turmoil in the context of a dangerous journey through a warzone is sure to become a modern classic.
The Road Through War
A Vintage Shorts Travel Selection "I arrived to find that this was a war of walkers." So writes Anjan Sundaram about his journey into the heart of the war-torn Central African Republic in 2013. As soon as he arrived in the city of Gaga, he witnessed hundreds of people fleeing their homes for parts unknown, afraid to be one of the many victims of the Seleka rebel force that had taken over the country that year, or the anti-balaka militias that had sprung up in retaliation. As Sundaram follows a jungle path from village to village, he provides witness to a burning Republic, one that is still in the grips of chaos and violence. An eBook short.
This Present Darkness
Traces the origins of Nigerian organized crime, going back to the final years of colonial rule.
China Room
In 1929 young bride Mehar struggles with her family’s expectations whilst seventy years later her great-grandson discovers what her story can teach him about his own path. 'A gorgeous, gripping read' Kamila Shamsie 'A multi-generational masterpiece' Daily Mail Mehar, a young bride in rural Punjab, is trying to discover the identity of her new husband. It is 1929, and she and her sisters-in-law - married to three brothers in a single ceremony - spend their days hard at work on the family farm, sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk. Spiralling around Mehar's story is that ...
Our Women on the Ground
Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour “A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the...
The Queen of Jasmine Country
Myths, dreams, desires, the timeless reality of the body and soul - in the midst of nature's bounty - that is the essence of The Queen of Jasmine Country. It is an astounding work of fiction. - Volga Tonight, under this arena of starlight, I take up my stylus and press it by the glow of a clay lantern into dry palmyra leaves. It is on this night that I dedicate myself - to my self, to who I truly am, to what is invincible and without bondage of time, that predates me, that will outlive me. Ninth century. In Puduvai, a small town in what we now know as Tamil Nadu, young Kodhai is taught to read and to write by her adoptive father, a garland-weaving poet. As she discovers the power of words, s...
Stringer
Book of the Year, The Royal African Society (UK) In the powerful travel-writing tradition of Ryszard Kapuœciñski and V.S. Naipaul, a haunting memoir of a dangerous and disorienting year of self-discovery in one of the world’s unhappiest countries. In August 2005, Anjan Sundaram abandoned his path to a Yale Ph.D. in mathematics to travel to the Democratic Republic of the Congo and refashion himself as a journalist. He found a country that was diseased, corrupt, and poised on the cusp of war. When Sundaram is engaged as a “stringer” for the Associated Press, he becomes a chronicler for a country he’s just beginning to experience. Stringer is his searing portrait of life in this broke...
