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What are believers to do when belief and lived experience collide? Must the experience of suffering be hidden or pushed aside in favor of only "positive" expressions of praise during corporate worship? Focusing on the premise that "worship is not pain denial," this book seeks to reveal the dearth of soul care within modern corporate worship, and the multidisciplinary approach needed to build and implement a more thorough approach that calls and enables believers to weep with those who weep, to bear one another's burdens, and continue Christ's ministry of reconciliation.
Apart from the work of God in creation, it’s notoriously difficult to explain the presence of beauty in the world and man’s appreciation for it. Indeed, the aesthetic realm (with its array of phenomena which engage the senses, the mind, and the heart) not only suits the biblical account of the universe, but also points toward it. In making this case, sixteen writers address the shortcomings of naturalistic narratives, the virtues of theistic accounts (particularly those grounded in Christ), and the manner in which the various arts resonate with Scripture. Along the way, readers will encounter the peacock’s tail and Farnsworth House; a Schubert piano sonata and “chopsticks”; Kintsugi and Kitsch; Hugh of St. Victor and Hans Urs von Balthasar; Kandinsky and Eisenstein; the Lydian and Phrygian modes; eucatastrophe and liminal space; McDonald’s and Don Quixote; Sméagol and the Blobfish; Stockhausen and Begbie; Adorno and Kinkade; Mount Auburn Cemetery and Narnia; Fujimura and Schopenhauer.
George Washington Bice was born in 1820 in Pennsylvania. In 1842 he married Leah Isabelle Cornman. They had nine children and later moved to Ohio and then about 1869 settled in Iowa. Many of their descendants are included in this material.