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Descendants of Thomas William Holland and Milley Boyett compiles information from many sources None of the records in my book have been imported from online histories. All of them have been entered by me and most have been verified not once, but several times. When I entered names, dates and other information from book sources, I attempted to verify the data with census, vital records or another source. An Old Holland Family Record Book that was originally owned by Thomas William Holland is the "Key" that opened research for this book. Living relatives and fellow researchers provided me with priceless information that I supported by vital statistics, census records, deeds and wills.
It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Having bound the wild, dark magic of the realms to her, Gemma has forged unlikely and unsuspected new alliances both with the headstrong Felicity and timid Ann, Kartik, the exotic young man whose companionship is forbidden, and the fearsome creatures of the realms. Now, as Gemma approaches her London debut, the time has come to test those bonds. As her friendship with Felicity and Ann faces its gravest trial, and with the Order grappling for control of the realms, Gemma is compelled to decide once and for all which path she is meant to take. Pulled forward by fate, the destiny Gemma faces threatens to set chaos loose, not only in the realms, but also upon the rigid Victorian society whose rules Gemma has both defied and followed. Where does Gemma really belong? And will she, can she, survive?
"A richly entertaining account of tragic theatre accidents and murders most foul. If theatre walls could talk, what secrets would they reveal? Chris Wood provides fascinating answers with tales of brawling ushers, murderously jealous husbands, stampeding crowds and infant tragedies. A meticulously researched and vivid collection of lives lost in the palaces of dreams. A must-read for all lovers of the theatre, providing shocks and gasps of horror when real life proves to be more dramatic than any play on stage." - Hugh Bonneville "Immaculately researched and beautifully macabre. This is a real treat for anyone who is either a fan of the theatre or of untimely deaths. I loved it!" - Peter Jam...
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Models of Charitable Care analyses the practice of Catholic nuns in Amsterdam in the 19th and 20th century. Attention is paid to the ambiguous ascetic spiritual discourse that underpinned their work: it encouraged charity as solidarity with strangers, but caused intense emotional distance too. Historiography is mainly manufactured by religious and lay academics who shared the congregational perspective and presented fairly positive evaluations. Criticism from within, however, is voiced by care leavers who grew up in homes ran by religious. Some are grateful, others bitter. The sisters were living models who combined an anti-worldly outlook with a practical concern for vulnerable creatures. Relating various theoretical interpretations, a typology of three models is developed with ‘agency’ as the differentiating criterion.
This black and white version of the second edition contains all the contents as the color version. It has the added information for our Wisconsin ancestors plus a short biography written by Evelyn telling of her early life. Included are letters written by Grandfather Louis Andrew Belden during military service in the War of 1898. The 2013 first edition was published to provide a record of the collection of Belden family pictures and studio portraits with identification where possible. The collection belonged to Mom and eventually ended in my hands. Evelyn was born in Wisconsin where her ancestors had been early settlers of Racine County, however she spent practically all her life near Roscoe, in Winnebago Co., Illinois.
This collection of twelve new essays explores the role of women and gender in a broad range of ‘radical’ religious movements of the post-Reformation. Organized into three themed divisions, the first examines the activism of female Quakers in their public performances as preachers and petitioners, in their global travels, and in their domestic lives; the second examines early modern prophetesses and their radical revisions of scripture, gender, body, and voice; and the third concerns women who, in diverse ways, crossed boundaries, including the confessional boundaries of Europe. A strength of this volume is its comparative re-examination of the term ‘radical’. German Anabaptists are discussed alongside unorthodox nuns with the aim of understanding how gender factors into innovative and oppositional religion. Contributors include: Sarah Apetrei, Naomi Baker, Sylvia Brown, Ruth Connolly, Pamela Ellis, José Manuel González, Julie Hirst, Stephen A. Kent, Marion Kobelt-Groch, Bo Karen Lee, Kirilka Stavreva, and Sheila Wright.