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Framing her recollections with the passage of cranes over her South Dakota ranch, Daum writes about the difficulties of living in a remote place--a fickle river, rattlesnakes, hospitals too far away to be much use, social isolation--but also what keeps her there--the cranes, the rhythms of the land & seasons, her horses, the bonds of family. Unflinching and understated, Daum breaks the silence that for too long has marked (and marred) the lives of western women. Her essays start in the present (she raises sport horses on a piece of what was a 13,000 acre spread) and cycle back through her childhood, with stories about her father, blizzards, a coyote, the White River that whipsaws their land, the differences between people, and the artifacts left by others who have tried to scrape a living out of the land. With humor and insight, her essays touch on different aspects of rural life and convey her vision for a good life in the west.
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.
Annotation "Teacher and writer John Elder, a man who loves both literature and the outdoors, describes in The Frog Run how he found a way to balance these passions in building a sugarhouse with his sons in the Vermont woods. He celebrates the moment between winter and spring - known to sugarmakers as "the frog run"--When the tree frogs begin to be heard and the last run of sap good for making syrup flows from the maples. For Elder, who also writes in this book about the resurgence of New England forests and about his life as a reader, the frog run is a time to savor and celebrate the fleeting beauties of his family's place on earth."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Using such models as Joseph Cornell’s box constructions, crazy quilts, and specimen displays, Joni Tevis places fragments in relationship to each other in order to puzzle out lost histories, particularly those of women. Navigating the peril and excitement of outward journeys complicated by an inward longing for home, The Wet Collection follows Tevis through several adventures that coalesce into a narrative imbued with the light of Tevis’s Southern upbringing. Written with a poet’s lyricism, a scientist’s precision, and a theologian’s understanding of the world as it shifts around us, The Wet Collection is the exciting debut of a distinctive voice. "Tevis’s writing, a showcase for her interests in religion, memoir, natural study and women’s history, is precise and unique, and in this collection of musings, she builds big ideas out of small fragments...Far from the typical memoir or essay collection, this volume showcases a unique, meticulous and inviting voice.” — Publishers Weekly
Discover Tybee Island's historic hotel that witnessed hurricanes, wars, a riot, murder, Prohibition, and the Great Depression. Tybee Island was a mostly undeveloped tropical island situated 12 miles east of Savannah in the 1880s when businessman Daniel Purse bought most of the island with the intention of transforming it into a seaside resort destination. There were no roads to Tybee at the time. To overcome the obstacle of a two-hour boat ride from Savannah, Purse built a railroad connecting Tybee to Savannah. Thousands of new tourists began flocking to Tybee's beautiful beaches, though most could not stay due to inadequate lodging accommodations. In 1889, Savannah National Bank president and future mayor of Savannah Herman Myers and investors constructed Hotel Tybee, which was one of the finest hotels in the country. For over seven decades, Hotel Tybee hosted vacations, conventions, social events, and gambling. The establishment was ravaged by fire in 1909 but was resurrected more magnificent than before.
“This remarkable group of women have narrated their personal experiences with animals—what they have learned and how it has transformed their lives.”—Common Boundary “A celebration of compassion . . . Women are opening new ways of communicating with and understanding the animal world.”—The Seattle Times Though women have long felt kinship with animals, in the past they seldom participated in the study of them. Now, as more women make animals the subject of their investigations, significant new ideas are emerging—based on the premise that animals are honored co-sharers of the earth. This unprecedented anthology features original stories, essays, meditations, and poems by a vas...
This exquisite book is a rare jewel in the literature of Mexico and its little-known peninsula, Baja. Describing her adventures on this austere and beautiful slip of land, C. M. Mayo creates a multi-layered map of place filled with daredevil aviators, sea turtle researchers, Stone Age cave painters, and countless other colorful characters. Covering Baja from Cabo San Lucas to Tijuana, Mayo's wit and curiosity help her weave a story that seamlessly combines history, myth, art, and local color.
A pioneering ethnobotanist, Gary Paul Nabhan credits the arts with sparking unlikely scientific breakthroughs and believes that such "cross-pollination" engenders new forms of expression that are essential to discovery. In this highly readable book, he tells four stories to illustrate this idea. In the first, coping with color blindness in art class leads to his career as a scientist; in the second, ancient American Indian songs, when translated, reveal an understanding of plants and animals that rivals modern research; in the third, a poem inspires an approach to diabetes using desert plants; and in the fourth, a coalition of scientists and artists creates the Ironwood Forest National Monument in the Sonoran Desert.
In The Centrality of Style, editors Mike Duncan and Star Medzerian Vanguri argue that style is a central concern of composition studies even as they demonstrate that some of the most compelling work in the area has emerged from the margins of the field.