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SARAH ANN ELLIOTT Book 1: 1823-1829
Sarah Ann Elliott was born in 1823 into a family of weavers whose lives were entirely dependent on the textile mills of the booming Northern England town of Stockport. Her family is much like any other with highs and lows, joys and sorrows, but when 10,000 spinners and weavers go on strike for nine months in the infamous 1829 Stockport Turnout, the Elliotts are plunged into a life of hardship and turmoil from which no one is spared. Little Sarah Ann is swept along with the events that surround her and it is only the love of her family and her indomitable spirit that will carry her through. SARAH ANN ELLIOTT Book 1 is a poignant and harrowing story of one family's struggle to survive the grim mill towns of 19th century England, and is the first book in The Sarah Ann Elliott Series
Sarah Ann Elliott
Sarah Ann Elliott was born in 1823 into a family of weavers whose lives were entirely dependent on the textile mills of the booming Northern England town of Stockport. Her family is much like any other with highs and lows, joys and sorrows, but when 10,000 spinners and weavers go on strike for nine months in the infamous 1829 Stockport Turnout, the Elliotts are plunged into a life of hardship and turmoil from which no one is spared. Little Sarah Ann is swept along with the events that surround her and it is only the love of her family and her indomitable spirit that will carry her through. SARAH ANN ELLIOTT is based on the poignant and harrowing true story of one family's struggle to survive the grim mill towns of 19th century England.
The Artstars
These stories about struggling artists are “a fierce and funny exploration of creation and its discontents” (Steve Almond, author of My Life in Heavy Metal). Set in various creative communities—an art school, an illegal loft studio, a guerrilla street performance troupe—where teamwork and professional jealousy mix, these interconnected short stories by prizewinning author Anne Elliot follow artists as they grapple with economic realities and evolving expectations. A middle-aged poet, reeling from 9/11, fights homesickness, writer’s block, and ladybugs at an artist’s colony. A new empty-nester finds a creative outlet in her community garden, but gets tangled up in garden politics. As the characters pass through each other’s stories, making messes and helping mop them up, some find inspiration in accidents and others are ready to quit art completely. Together, they stumble through the creative process, struggling to make art and find the spark of something new and original within themselves. In a world where the odds of becoming a star are nearly impossible, The Artstars tells the darkly humorous yet moving stories of those who dare to dream.
The English Reports: Exchequer
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
Sarah Ann Elliott
A Powerful Family Saga of Struggle, Survival and Love
Louisa Elliott
York in the last decade of the 19th century is the dramatic setting for his powerful novel. An international bestseller when first published, Louisa Elliott's timeless themes of love, desire and betrayal make it equally relevant today.Louisa and Edward Elliott are cousins tied by more than simple family affection. As the daughter of a family with secrets, Louisa feels bound to remain single and independent, while Edward, sensitive and poetic, loves her far more than he can admit, even to himself. But with the advent of Robert Duncannon, an Irish officer with the Royal Dragoons, their lives change completely. Outwardly dashing and hard-living, Robert has secrets of his own; and as Louisa fall...
