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Ann Farrell notices two strange mourners at her father's funeral. At the reading of her father's legal will it appears they have played a key role in her father's mysterious past. Her determined pursuit to unveil this mystery leads her to France, where her father allegedly was a British secret agent during World War II. There she discovers the shocking truth.The story of four different eras in the life of two young men - courageous soldiers, close friends and successful barristers - their ambiguous hate/love relation gradually turning them into rancorous adversaries, the consequent aftermath of their horrible war experience that atrophied part of their soul.As the story grows, so does suspense. Why did the British Prime Minister, Winston Churchill, sacrifice two brave young men without mercy? And who is Farrell's daughter?In combat many young men lose their life or limbs, they are called war heroes. But some lose their emotional balance on the battlefield. They are called cowards
This book focuses on doing ethical research with children in today's climate of increased globalization, surveillance and awareness of children as competent research participants. It covers a range of conceptual, methodological and procedural issues, and provides a framework for doing ethical research with children.
The GHOST series of paintings by Sean Scully, with a foreword by Sean Scully, essays by Loïc Le Gall, Laurie Ann Farrell, and a poem by Kelly Grovier
Make a difference! A portion of the proceeds from the sale of this book will be donated to The Braille Institute, empowering visually impaired people to live fulfilling lives. Ready, Aim, Captivate! brings together experts, entrepreneurs and authorities on how to take your individual message and use it to reach out to others, change lives and captivate hearts. They have started successful companies, written best-selling books and championed multimillion dollar events, but still-at their core-they are just like you. They were once someone in a bookstore reading the introduction to a book they hoped would teach them how to get where they wanted to go. They had to learn-some of them, the hard w...
In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and Henry James, O'Farrell illuminates literature's relation to the body and the body's place in culture. In the process, she plots a trajectory for the nineteenth-century novel's shift from the practices of manners to the mode of self-consciousness. Although the blush was used to tell the truth of character and body, O'Farrell shows how it is actually undermined as a stable indicator of character in novels such as Pride and P...