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A World of Kindness
Are you kind? In a series of simple yet evocative questions, this impactful book asks children how they will show kindness and consideration for others. Written by the editors of Pajama Press, and illustrated by celebrated Pajama Press artists, these stunning pages inspire meaningful discussion and storytelling about the understated yet powerful ways in which children might influence the world around them. A World of Kindess goes beyond mere rhetoric to examine, in a child-friendly way, everyday social interactions where a kind word or act could have a transformative affect on others. Royalties from the proceeds of this book will be donated to Think Kindness. thinkkindness.org Many of the original images in this book have been donated by the artists. The cover art was created and donated by award-winning author-illustrator Suzanne Del Rizzo.
Walking in Pimlico
To 'walk in Pimlico' colloq. to be handsomely dressed Murray's Dictionary of Slang, Cant and Flash Words and Phrases (1857, 3rd ed.). Stumbling across Bessie Spooner's murdered body, comedian Corney Sage is caught in a tangle of deception and lies. He flees from his concert-room job in London's Whitechapel to a comfortable spa town, and then to a circus and music hall. But try as he might, he cannot elude the killer. And in Corney's world of theatricals, clowns and showmen, where appearances are surface deep and secrets are deadly, any one of them might be the murderer . . . From the drawing rooms of polite society to dingy lodging houses, through shabby pump-room pavilions, fairgrounds and freak shows, Ann Featherstone brilliantly reconstructs nineteenth-century England in this gripping psychological thriller.
The Victorian Clown
The Victorian Clown is a micro-history of mid-Victorian comedy, spun out of the life and work of two professional clowns. Their previously unpublished manuscripts - James Frowde's account of his young life with the famous Henglers' circus in the 1850s and Thomas Lawrence's 1871 gag book - offer unique, unmediated access to the grass roots of popular entertainment. Through them this book explores the role of the circus clown at the height of equestrian entertainment in Britain, when the comic managed audience attention for the riders and acrobats, parodying their skills in his own tumbling and contortionism, and also offered a running commentary on the times through his own 'wheezes' - stand-up comedy sets. Plays in the ring connect the circus to the stage, and both these men were also comic singers, giving a sharp insight into popular music just as it was being transformed by the new institution of music hall.
The Newgate Jig
A hanging always draws a crowd. But not everyone there has come to jeer at the condemned man. George Kevill's young son Barney is in the front row, and he knows his father is innocent. There are others there who know George is innocent, too - and the men who set him up have every reason to want to silence his boy . . Narrowly escaping the clutches of the sinister Nasty Man, young Barney finds sanctuary at the London Aquarium amongst his father's bohemian friends: Bob Chapman, whose performing dogs Brutus and Nero astonish audiences every night, the exquisite doll-lady, Princess Tiny, and her admirer, the giant Herr Swann. Together with Fortinbras Horatio Trimmer, aspiring novelist and meantime author of penny dreadfuls and popular plays, they will protect Barney and seek to uncover the conspiracy behind a dark secret that lies at the heart of the Victorian establishment.
Walking in Pimlico
To ‘walk in Pimlico’ is, according to the Penguin Dictionary of Historical Slang, the colloquial expression 'to be handsomely dressed'. Comedian, clog dancer, comic vocalist, actor and all-round funny fellow Corney Sage is treading the boards at the Constellation in Whitechapel when he stumbles across the body of an actress outside the theatre and catches sight of the killer as he escapes. Corney was not the only witness. Fellow actress Lucy Strong also saw what happened and when the murderer returns to the scene of the crime that same night, both fear for their lives. Corney and Lucy flee London separately, keeping in touch with each other through a series of advertisements in the trade paper, the Era. Certain they have escaped the same fate as Bessie, they settle into their new lives away from London. But the murderer – a master of disguise – is slowly closing in on them and it is only a matter of time before he pounces . . . From the drawing rooms of polite society to the back rooms of brothels, through music halls, circus rings and freak shows, Ann Featherstone brilliantly reconstructs 19th century England in this gripping psychological thriller.
We Want You to Know
Kids express how they feel about bullies and bullying.
The Making of the West End Stage
All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, and of plays drawn from the work of Charles Dickens as well as burlesques by the early writers of Punch. Discovering a much more dynamic and often woman-led entertainment industry at the heart of the British Empire, this book seeks a new understanding of the work of women including Eliza Vestris, Mary Ann Keeley and Marie Wilton in creating the template for a magical new theatre of music, feeling and spectacle.
Her Husband was a Woman!
Tracking the changing representation of female gender-crossing in the press, this text explores real-life case studies from the British tabloids of women who successfully passed as men in everyday life.
The Narrative of the Good Death
The Christian idea of a good death had its roots in the Middle Ages with ars moriendi, featuring reliance on Jesus as Savior, preparedness for the life to come and for any spiritual battle that might ensue when on the threshold of death, and death not taking place in isolation. Evangelicalism introduced new features to the good death, with its focus on conversion, sanctification and an intimate relationship with Jesus. Scholarship focused on mid-nineteenth-century evangelical Nonconformist beliefs about death and the afterlife is sparse. This book fills the gap, contributing an understanding not only of death but of the history of Methodist and evangelical Nonconformist piety, theology, soci...
