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A World of Kindness
Are you kind? In a series of simple yet evocative questions, this impactful book asks children how they will show kindness and consideration for others. Written by the editors of Pajama Press, and illustrated by celebrated Pajama Press artists, these stunning pages inspire meaningful discussion and storytelling about the understated yet powerful ways in which children might influence the world around them. A World of Kindess goes beyond mere rhetoric to examine, in a child-friendly way, everyday social interactions where a kind word or act could have a transformative affect on others. Royalties from the proceeds of this book will be donated to Think Kindness. thinkkindness.org Many of the original images in this book have been donated by the artists. The cover art was created and donated by award-winning author-illustrator Suzanne Del Rizzo.
The Victorian Clown
The Victorian Clown is a micro-history of mid-Victorian comedy, spun out of the life and work of two professional clowns. Their previously unpublished manuscripts - James Frowde's account of his young life with the famous Henglers' circus in the 1850s and Thomas Lawrence's 1871 gag book - offer unique, unmediated access to the grass roots of popular entertainment. Through them this book explores the role of the circus clown at the height of equestrian entertainment in Britain, when the comic managed audience attention for the riders and acrobats, parodying their skills in his own tumbling and contortionism, and also offered a running commentary on the times through his own 'wheezes' - stand-up comedy sets. Plays in the ring connect the circus to the stage, and both these men were also comic singers, giving a sharp insight into popular music just as it was being transformed by the new institution of music hall.
Walking in Pimlico
To ‘walk in Pimlico’ is, according to the Penguin Dictionary of Historical Slang, the colloquial expression 'to be handsomely dressed'. Comedian, clog dancer, comic vocalist, actor and all-round funny fellow Corney Sage is treading the boards at the Constellation in Whitechapel when he stumbles across the body of an actress outside the theatre and catches sight of the killer as he escapes. Corney was not the only witness. Fellow actress Lucy Strong also saw what happened and when the murderer returns to the scene of the crime that same night, both fear for their lives. Corney and Lucy flee London separately, keeping in touch with each other through a series of advertisements in the trade paper, the Era. Certain they have escaped the same fate as Bessie, they settle into their new lives away from London. But the murderer – a master of disguise – is slowly closing in on them and it is only a matter of time before he pounces . . . From the drawing rooms of polite society to the back rooms of brothels, through music halls, circus rings and freak shows, Ann Featherstone brilliantly reconstructs 19th century England in this gripping psychological thriller.
We Want You to Know
Kids express how they feel about bullies and bullying.
The Cambridge Companion to the Circus
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
Remembering Dennis Potter Through Fans, Extras and Archives
An accessible case study of television heritage, Remembering Dennis Potter Through Fans, Extras and Archive draws on the memories of fans and extras of Potter's productions. In providing insight into issues of visibility, memory and television production, it fulfils a vital need for better understanding of television production history as heritage.
The Narrative of the Good Death
The Christian idea of a good death had its roots in the Middle Ages with ars moriendi, featuring reliance on Jesus as Savior, preparedness for the life to come and for any spiritual battle that might ensue when on the threshold of death, and death not taking place in isolation. Evangelicalism introduced new features to the good death, with its focus on conversion, sanctification and an intimate relationship with Jesus. Scholarship focused on mid-nineteenth-century evangelical Nonconformist beliefs about death and the afterlife is sparse. This book fills the gap, contributing an understanding not only of death but of the history of Methodist and evangelical Nonconformist piety, theology, soci...
Giraffe Meets Bird
Since 2011 Rebecca Bender’s award-winning Giraffe and Bird books have been tickling the funny bones of children and their families as the cantankerous cronies learn that friendship, while not always easy, is always worthwhile. But how did this unlikely pair become friends in the first place? In Giraffe Meets Bird, Bender’s bright acrylics and lively storytelling reveal the friends’ early days while pairs of scrumptious synonyms make her trademark rich vocabulary accessible to a new, younger audience. When the egg in Giraffe’s tree first hatches, he is excited and eager. But the baby bird grows quickly, and he soon learns how to make Giraffe angry and annoyed. It doesn’t take long for Giraffe and Bird to start fighting over their tree. When danger forces them to work together, the two not-quite-friends realize they might not be able to share their home at all. Luckily, they come up with a solution that is surprising, startling, and absolutely stunning.
The Acrobat
Arthur Barnes--"The 100 Somersault Man"--was the world's greatest acrobat, a legend of the circus. He toured for 23 years with the biggest companies in Britain, Europe and the United States, performing for all the crowned heads, as well as for Abraham Lincoln. This book traces his story as a bright thread of triumphs and tragedies running through the tapestry of the mid-Victorian era, a tapestry made rich by extraordinary events of the day and by the eccentric characters attracted to such a profession as the circus. We follow Barnes as he escapes the doom of the iron foundry by bounding out of the desperate slums of the East End of London at the age of 14 to become the "champion vaulter of all the world."
The Politics of the Pantomime
Focuses on the variety and independence of pantomime in the provinces, especially Nottingham, Birmingham, and Manchester. Explores official and local censorship and the relationships between local theaters, managers, authors and audiences.
