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The Victorian Clown
The Victorian Clown is a micro-history of mid-Victorian comedy, spun out of the life and work of two professional clowns. Their previously unpublished manuscripts - James Frowde's account of his young life with the famous Henglers' circus in the 1850s and Thomas Lawrence's 1871 gag book - offer unique, unmediated access to the grass roots of popular entertainment. Through them this book explores the role of the circus clown at the height of equestrian entertainment in Britain, when the comic managed audience attention for the riders and acrobats, parodying their skills in his own tumbling and contortionism, and also offered a running commentary on the times through his own 'wheezes' - stand-up comedy sets. Plays in the ring connect the circus to the stage, and both these men were also comic singers, giving a sharp insight into popular music just as it was being transformed by the new institution of music hall.
Walking in Pimlico
To ‘walk in Pimlico’ is, according to the Penguin Dictionary of Historical Slang, the colloquial expression 'to be handsomely dressed'. Comedian, clog dancer, comic vocalist, actor and all-round funny fellow Corney Sage is treading the boards at the Constellation in Whitechapel when he stumbles across the body of an actress outside the theatre and catches sight of the killer as he escapes. Corney was not the only witness. Fellow actress Lucy Strong also saw what happened and when the murderer returns to the scene of the crime that same night, both fear for their lives. Corney and Lucy flee London separately, keeping in touch with each other through a series of advertisements in the trade paper, the Era. Certain they have escaped the same fate as Bessie, they settle into their new lives away from London. But the murderer – a master of disguise – is slowly closing in on them and it is only a matter of time before he pounces . . . From the drawing rooms of polite society to the back rooms of brothels, through music halls, circus rings and freak shows, Ann Featherstone brilliantly reconstructs 19th century England in this gripping psychological thriller.
A World of Kindness
Are you kind? In a series of simple yet evocative questions, this impactful book asks children how they will show kindness and consideration for others. Written by the editors of Pajama Press, and illustrated by celebrated Pajama Press artists, these stunning pages inspire meaningful discussion and storytelling about the understated yet powerful ways in which children might influence the world around them. A World of Kindess goes beyond mere rhetoric to examine, in a child-friendly way, everyday social interactions where a kind word or act could have a transformative affect on others. Royalties from the proceeds of this book will be donated to Think Kindness. thinkkindness.org Many of the original images in this book have been donated by the artists. The cover art was created and donated by award-winning author-illustrator Suzanne Del Rizzo.
The Newgate Jig
A hanging always draws a crowd. But not everyone there has come to jeer at the condemned man. George Kevill's young son Barney is in the front row, and he knows his father is innocent. There are others there who know George is innocent, too - and the men who set him up have every reason to want to silence his boy . . Narrowly escaping the clutches of the sinister Nasty Man, young Barney finds sanctuary at the London Aquarium amongst his father's bohemian friends: Bob Chapman, whose performing dogs Brutus and Nero astonish audiences every night, the exquisite doll-lady, Princess Tiny, and her admirer, the giant Herr Swann. Together with Fortinbras Horatio Trimmer, aspiring novelist and meantime author of penny dreadfuls and popular plays, they will protect Barney and seek to uncover the conspiracy behind a dark secret that lies at the heart of the Victorian establishment.
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Performance Making and the Archive
This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work. They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation. A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism.
The Cambridge Companion to the Circus
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
Giraffe Meets Bird
Since 2011 Rebecca Bender’s award-winning Giraffe and Bird books have been tickling the funny bones of children and their families as the cantankerous cronies learn that friendship, while not always easy, is always worthwhile. But how did this unlikely pair become friends in the first place? In Giraffe Meets Bird, Bender’s bright acrylics and lively storytelling reveal the friends’ early days while pairs of scrumptious synonyms make her trademark rich vocabulary accessible to a new, younger audience. When the egg in Giraffe’s tree first hatches, he is excited and eager. But the baby bird grows quickly, and he soon learns how to make Giraffe angry and annoyed. It doesn’t take long for Giraffe and Bird to start fighting over their tree. When danger forces them to work together, the two not-quite-friends realize they might not be able to share their home at all. Luckily, they come up with a solution that is surprising, startling, and absolutely stunning.
The Acrobat
Arthur Barnes--"The 100 Somersault Man"--was the world's greatest acrobat, a legend of the circus. He toured for 23 years with the biggest companies in Britain, Europe and the United States, performing for all the crowned heads, as well as for Abraham Lincoln. This book traces his story as a bright thread of triumphs and tragedies running through the tapestry of the mid-Victorian era, a tapestry made rich by extraordinary events of the day and by the eccentric characters attracted to such a profession as the circus. We follow Barnes as he escapes the doom of the iron foundry by bounding out of the desperate slums of the East End of London at the age of 14 to become the "champion vaulter of all the world."
The Politics of the Pantomime
Focuses on the variety and independence of pantomime in the provinces, especially Nottingham, Birmingham, and Manchester. Explores official and local censorship and the relationships between local theaters, managers, authors and audiences.
