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Jahazpur is a small market town or qasba with a diverse population of more than 20,000 people located in Bhilwara District in the North Indian state of Rajasthan. With roots deep in history and legend, Shiptown (a literal translation of landlocked Jahazpur's name) today is a subdistrict headquarters and thus a regional hub for government services unavailable in villages. Rural and town lives have long intersected in Shiptown's market streets, which are crammed with shopping opportunities, many designed to allure village customers. Temples, mosques, and shrines attract Hindus and Muslims from nearby areas. In the town's densely settled center—still partially walled, with arched gateways int...
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In many South Asian oral traditions, herons are viewed as duplicitous and conniving. These traditions tend also to view women as fragmented identities, dangerously split between virtue and virtuosity, between loyalties to their own families and those of their husbands. In women's songs, however, symbolic herons speak, telling of alternative moral perspectives shaped by women. The heron's words—and women's expressive genres more generally—criticize pervasive North Indian ideologies of gender and kinship that place women in subordinate positions. By inviting readers to "listen to the heron's words," the authors convey this shift in moral perspective and suggest that these spoken truths are compelling and consequential for the women in North India. The songs and narratives bear witness to a provocative cultural dissonance embedded in women's speech. This book reveals the power of these critical commentaries and the fluid and permeable boundaries between spoken words and the lives of ordinary village women.
A collaborative ethnography that collects ordinary persons' recollections of everyday life, politics, and the environment in Rajasthan from when the state was a kingdom and since independence.
"More comparable to Levi-Strauss's Tristes Tropiques than any other work of anthropology I know; but, in fact, the book I was most reminded of was not an anthropological work at all, but E. M. Forster's A Passage to India. . . a complex world complexly perceived and brilliantly recorded. . . . It is really a wonderful book."--Wendy Doniger, author of The Origins of Evil in Hindu Mythology
Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village ba...
""[I]t is extremely salubrious to see the ways Islam works in the lives of ordinary people who are not politicized in their religious lives.... No other book on South Asia has material like this."" --Ann Grodzins Gold In Amma's Healing Room is a compelling study of the life and thought of a female Muslim spiritual healer in Hyderabad, South India. Joyce Burkhalter Flueckiger describes Amma's practice as a form of vernacular Islam arising in a particular locality, one in which the boundaries between Islam, Hinduism, and Christianity are fluid. In the ""healing room,"" Amma meets a diverse clientele that includes men and women, Muslim, Hindu, and Christian, of varied social backgrounds, who bring a wide range of physical, social, and psychological afflictions. Flueckiger collaborated closely with Amma and relates to her at different moments as daughter, disciple, and researcher. The result is a work of insight and compassion that challenges widely held views of religion and gender in India and reveals the creativity of a tradition often portrayed by Muslims and non-Muslims alike as singular and monolithic.
This volume brings together compelling new research on South Asian women who have renounced worldly life for spiritual pursuits. Documenting contemporary women's experiences with intimate ethnographic narratives, this book offers feminist insights into Jain, Buddhist, Hindu and Baul ascetic traditions.
Drawing on fieldwork conducted in the southern Indian state of Tamil Nadu over seven years, Eliza F. Kent offers a compelling examination of the religious and social context in which south India's sacred groves take on meaning for the villagers who maintain them, and shows how they have become objects of fascination and hope for Indian environmentalists.
DIVAlternative cultural forms of environmentalism in South and Southeast Asia./div