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This collection of essays explores the significance of practice in understanding American Protestant life. The authors are historians of American religion, practical theologians, and pastors and were the twelve principal researchers in a three-year collaborative project sponsored by the Lilly Endowment. Profiling practices that range from Puritan devotional writing to twentieth-century prayer, from missionary tactics to African American ritual performance, these essays provide a unique historical perspective on how Protestants have lived their faith within and outside of the church and how practice has formed their identities and beliefs. Each chapter focuses on a different practice within a...
William McCain, son of William McCain, was born in about 1782 in Maryland. He married Elizabeth Hannah Newcomb, daughter of Samuel Newcomb and Nancy Fritz, in about 1810, probably in Jefferson County, Pennsylvania. They had eleven children. He died in 1862 in Pepin, Wisconsin. Descendants and relatives lived mainly in Wisconsin, Minnesota, South Dakota, Nebraska, Colorado, Oregon and California.
Contains contact information and biographical sketches about the members of the United States Congress.
The idea of American musical theatre conjures up images of bright lights and big city, but its lifeblood is found in local and amateur productions at schools, community theatres, summer camps, and more. In Beyond Broadway, author Stacy Wolf considers the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a live, pleasurable, participatory experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? Why do audiences flock to see musicals in their hometowns? How do corporations like...
"Impossible Dance is a highly accessible, original and engaging account of the complex and often heavily theorized debates around the body, identity and community. Focusing on gay, lesbian and queer club culture in the 1990s New York City, this is the first book to bring together vital issues such as dance culture, queer community, sex culture, HIV identity and politics. Based on four years of field work, the book takes readers on a journey from the streets of New York City into the dance clubs and onto the dance floor. Detailed interviews with club-goers capture their perspectives on how they stage their self-fashioning through dancing. Fiona Buckland argues that such dancing embodies and rehearses a powerful political imagination, laying claim to the space and to one's body as queer."—Publishers Weekly