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Robert Smithson
An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of...
The Law Reports
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The Diary of a Shropshire Farmer
A fascinating record of rural English life in the nineteenth century.
Private Laws
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In the Still of the Night
Recounts Barb Thompson's eleven-year fight to prove that her daughter, Ronda Reynolds, did not commit suicide and offers a detailed account of the trial to determine if the coroner's office had been negligent when dealing with Ronda's death.
Black Woman on Board
Offers a rare view inside the university boardroom, uncovering the vital role Black women educational leaders have played in ensuring access and equity for all. Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974-94) to increase a...
My Lashbrook-Taylor Lineage
The author traces his Lashbrook ancestors back seven generations and his Taylor ancestors back through eight generations. William Lashbrooke, the author's 5th Great-grandfather who was born on 17 October 1717 in Meeth in Devon, England immigrated to the U.S. from Devonshire in 1738 as a bonded passenger/criminal on a ship named "Forward." Isaac Taylor, the author's 6th Great-grandfather who was born on 8 October 1710 in County Antrim, Northern Ireland immigrated to the U.S. from Ireland around 1741. Details on children and grandchildren are included when known. The author also includes facts about the times and places where they lived as well as weaving their life stories into local history when he believes it will add value. Details on living persons is limited or intentionally excluded. Extensive references are included as footnotes and an "all name" index lists each person along with page numbers where they are found.
A Calendar of Delaware Wills, New Castle County, 1682-1800
These abstracts of the earliest wills of New Castle County constitute a principal reference for 17th- and 18th-century Delaware genealogy. Each entry supplies the full name of the testator and such additional information as profession, place of residence, dates of filing and probate, names of children, relatives, wives, witnesses, executors, etc.
The Emotional Life of Postmodern Film
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, prov...
