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Technical Merit: A History of Figure Skating Jumps
"Nowadays, figure skating is largely about jumps and the impressiveness of how many spins you can make in the air. However, the jumps have not always been figure skating's most prominent feature. When did the jumps emerge, how, and why? Who invented them - if that is even possible to know? These questions are addressed in Ryan Stevens' book." - Anna Maria Hellborg, Department of Sport Sciences, Malmö University, Idrottsforum Much has been written about figure skating jumps over the years, but most of it has focused on technique. Precious little has been written from a historical perspective. Jam-packed with fascinating information about the origins and international evolution of figure skat...
Dancing Jewish
Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but they have also played a critical and unacknowledged role in American Jewish culture. This book delineates this rich history, demonstrating how, over the twentieth century, dance enabled American Jews to grapple with identity, difference, cultural belonging, and pride.
Roller Skating for Gold
Given the popularity of all types of skating--on the ice, on the boards, and on the streets--why isn't roller skating an Olympic event? The answers --and there are many--are likely to anger and astound readers in turn. The volume also explores the past and present world of competitive roller skating.
Don't Act, Just Dance
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War cul...
