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For the embodiment of scholarly discourse(s) in comedy, two parameters are crucial: the theatricality and performative materiality of the genre of comedy, and the 'material imagery' of the narrative. This book is primarily concerned with two questions: what role did comedy play in shaping and disseminating early scholarly discourses, and how did the concept of laughter and humour in comedy contribute both to the conceptual categories of later scholarship and to comedy itself?
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its...
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focuse...
Explores a new area of ancient literary theory and criticism by examining how landscape and metaphor shape discussions of style.
Dramatic texts come with a natural structure of acts, scenes and speech clearly assigned to characters that lends itself to computational analysis: These explicit structures allow for straightforward formalizations without extensive preparatory work. Work on drama has therefore always been at the forefront of research in computational literary studies, with its pioneers analyzing drama quantitatively long before the digital age. Today, increasingly large digital text corpora are available and computational literary studies aims at a higher-scaled view on literary history, promising to analyze thousands of literary texts simultaneously. After decades of exploring the possibilities offered by computational methods, the field is now undergoing a phase of consolidation that takes stock of achievements and opportunities and critically reflects the computational methods and interpretations derived from data. Building on insights from the fields' tradition and current research approaches, this volume provides an overview of the status quo of computational drama analysis and explores possible routes for the future.
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.
This volume brings together a diverse range of scholars to address important philosophical and interdisciplinary questions in the study of language. Linguistics throughout history has been a conduit to the study of the mind, brain, societal structure, literature and history itself. The epistemic and methodological transfer between the sciences and humanities in regards to linguistics has often been documented, but the underlying philosophical issues have not always been adequately addressed. With 15 original and interdisciplinary chapters, this volume therefore tackles vital questions relating to the philosophy, history, and theoretical interplay between the study of language and fields as v...
This work covers the history of the text of the invectives of Sallust against Cicero and of Cicero against Sallust. Though these speeches seem unsophisticated to some, they are in fact of considerable importance. The question of the authenticity of both invectives, especially of the invective against Cicero, considered in the book diachronically, has long troubled scholars, commencing with Quintilian’s quotation from the text as though it were authentic. This dispute continues down to our own time. In all probability, both invectives are a product of the rhetorical schools of Rome, as students at such schools might have been set the task of writing a speech against Cicero imitating Sallust...
The volume assembles about 50 contributions presented at the Intenational Colloquium on Ancient Greek Linguistics, held in Rome, March 2015. This Colloquium opened a new series of international conferences that has replaced previous national meetings on this subject. They embrace essential topics of Ancient Greek Linguistics with different theoretical and methodological approaches: particles and their functional uses; phonology; tense, aspect, modality; syntax and thematic roles; lexicon and onomastics; Greek and other languages; speech acts and pragmatics.
For all of the recent debates over the methods and theoretical underpinnings of the historical profession, scholars and laypeople alike still frequently think of history in terms of storytelling. Accordingly, historians and theorists have devoted much attention to how historical narratives work, illuminating the ways they can bind together events, shape an argument and lend support to ideology. From ancient Greece to modern-day bestsellers, the studies gathered here offer a wide-ranging analysis of the textual strategies used by historians. They show how in spite of the pursuit of truth and objectivity, the ways in which historians tell their stories are inevitably conditioned by their discursive contexts.