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"[The essays] focus on class and gender not only sheds new light on old texts but also stretches the boundaries of the critical modus operandi which is often applied to such literature." --Women's Studies Network (UK) Association Newsletter These dramatic new readings of Old and Middle English texts explore the rich theoretical territory at the intersection of class and gender, and highlight the interplay of the critic, methodology, and the medieval text.
More than half a century after the Universal Declaration of Human Rights defined what a human being is and is entitled to, Catharine MacKinnon asks: Are women human yet? If women were regarded as human, would they be sold into sexual slavery worldwide; veiled, silenced, and imprisoned in homes; bred, and worked as menials for little or no pay; stoned for sex outside marriage or burned within it; mutilated genitally, impoverished economically, and mired in illiteracy--all as a matter of course and without effective recourse? The cutting edge is where law and culture hurts, which is where MacKinnon operates in these essays on the transnational status and treatment of women. Taking her gendered...
An important collection of essays which will be of interest to teachers and students of Chaucer.
This is the first compendious study of the influence of Plato on the English literary tradition, showing how English writers used Platonic ideas and images within their own imaginative work. Established experts and new writers have worked together to produce individual essays on more than thirty English authors, including Shakespeare, Milton, Blake, Wordsworth, T. S. Eliot, Auden and Iris Murdoch; and the book is divided chronologically, showing how every age has reconstructed Platonism to suit its own understanding of the world.
Who was King Follett? When he was fatally injured digging a well in Nauvoo in March 1844, why did Joseph Smith use his death to deliver the monumental doctrinal sermon now known as the King Follett Discourse? Much has been written about the sermon, but little about King. Although King left no personal writings, Joann Follett Mortensen, King’s third great-granddaughter, draws on more than thirty years of research in civic and Church records and in the journals and letters of King’s peers to piece together King’s story from his birth in New Hampshire and moves westward where, in Ohio, he and his wife, Louisa, made the life-shifting decision to accept the new Mormon religion. From that po...
This is a comprehensive guide to a literary period characterized by great variety and imagination, and vividly alert to the social transformations overtaking society. Spanning almost two centuries, it introduces the reader to a diverse range of authors writing for a fast-developing readership of both men and women. Each chapter focuses on a group of genres primarily associated with a particular social class – from the Drama and Saints' Lives accessible to the illiterate, to the sophisticated Romances of Love savoured by the aristocracy and the Court. Lively historical narratives place each group of texts in their social, political and cultural contexts. Significant or typical texts are given more detailed analysis that includes critical issues and questions to guide the reader's own approach, and each section is supported by a detailed bibliography of further reading.
This volume contains essays that examine the work and legacy of the Cambridge Platonists. The essays reappraise the ideas of this key group of English thinkers who served as a key link between the Renaissance and the modern era. The contributors examine the sources of the Cambridge Platonists and discuss their take-up in the eighteenth-century. Readers will learn about the intellectual formation of this philosophical group as well as the reception their ideas received. Coverage also details how their work links to earlier Platonic traditions. This interdisciplinary collection explores a broad range of themes and an appropriately wide range of knowledge. It brings together an international team of scholars. They offer a broad combination of expertise from across the following disciplines: philosophy, Neoplatonic studies, religious studies, intellectual history, seventeenth-century literature, women’s writing, and dissenting studies.The essays were originally presented at a series of workshops in Cambridge on the Cambridge Platonists funded by the AHRC.
Revisiting Shakespeare’s Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell’arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
Government decisions shape our lives, but how much do we know about the foundations of modern political thought? Theorists in the Renaissance constructed the ideological world we inhabit. They claimed to have mastered natural secrets whilst also promising perpetual, flawless, and scientifically demonstrable rule. Selective applications of artistic themes, religious symbols, imperialistic concepts and spells cast by intellectual magic, helped advance sovereign rule. By mid-17th century, these speculations were spinning an elaborate web of control. If we wish to understand myths of our current age, the intellectual mystique enshrouding origins of the modern State must first be revealed.