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In 14 papers delivered at or sent to a May 2001 conference in Jerusalem, historians specializing in Jews in various European countries examine the views about the return or prospective return of the Jews to their countries of origin after World War II. Among the countries are France, the Netherlands, Italy, Poland, and Hungary. Places and names are
A collection of essays comparing key aspects of Nazi Germany and Fascist Italy.
'The Pinocchio Effect' draws on a broad array of sources to trace the making of a modern national identity in Italy. The author explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the nation.
On the Edge of Democracy examines the emergence of democracy in Italy in the wake of World War Two. It examines the nature of the democracy forged in the liminal period after Benito Mussolini, the Duce of Fascism, was removed from government in the summer of 1943. Instead of pouring through institutional accounts, which root the origins of democracy in the establishment of parties and in electoral outcomes, Forlenza focuses on the lived experiences of ordinary people and elites in extraordinary times. Meanings of democracy are not variations of a universal model but emerge as contingent interpretative acts and a symbolization following political and existential crisis under condition of viol...
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A generation of Italian authors dedicated their lives, their works, and their voices to the primary driving force behind twentieth-century narratives of World War II. Renata Viganò was an active member of the Italian Resistance during World War II, and, like many of her male counterparts, she depicted the actions of the brave people who contributed to and participated in the partisan movement. Unlike her counterparts, however, Viganò vividly portrayed the experiences of women, notably women on the front line, in her posthumously published Matrimonio in brigata, here translated for the first time in English as Partisan Wedding. "If it had not been for them, the women . . . who got used to `...
In this engaging book, Eric Van Young traces the political, economic, and social development of Mexico through the crucial one hundred years of its remarkable transition from a relatively prosperous Spanish colony to a violently unstable republic marked by economic stagnation, political confrontation, and burgeoning efforts at modernization. Featuring primary sources from figures of the period, Van Young discusses the political instability of the period—internal warfare, military uprisings, intermittent dictatorships, sharp conflicts among political groupings—and attributes them to a belief by political actors in the fundamental lack of legitimacy in central government institutions after the sweeping away of the Bourbon imperial structure and its replacement first with a very short-lived Mexican empire followed by a series of increasingly authoritarian aspirational republican constitutions.
The idea of the “mamma italiana” is one of the most widespread and recognizable stereotypes in perceptions of Italian national character both within and beyond Italy. This figure makes frequent appearances in jokes and other forms of popular culture, but it has also been seen as shaping the lived experience of modern-day Italians of both sexes, as well as influencing perceptions of Italy in the wider world. This interdisciplinary collection examines the invented tradition of mammismo but also contextualizes it by discussing other, often contrasting, ways in which the role of mothers, and the mother-son relationship, have been understood and represented in culture and society over the last century and a half, both in Italy and in its diaspora.
As one of the best-known survivors of the concentration camps, Primo Levi's testimony to his experiences in Auschwitz is internationally recognised as one of the most significant works of the last century. This volume examines each of Levi's works in detail, assessing and analysing the influence of Levi's time in Auschwitz on his writing. It identifies a variety of thematic, temporal, stylistic and linguistic echoes of Levi's concentration camp testimony, and traces these echoes throughout his subsequent, apparently unrelated, work. The book provides original and fascinating insights into the works of this remarkable writer, giving readers a new understanding and perspective on the immense significance and the pervasive influence of the holocaust on Levi's creative output.