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Virgil, Aeneid 8
This volume provides the first full-scale commentary on the eighth book of Virgil’s Aeneid, the book in which the poet presents the unforgettable tour of the site of the future Rome that the Arcadian Evander provides for his Trojan guest Aeneas, as well as the glorious apparition and bestowal of the mystical, magical shield of Vulcan on which the great events of the future Roman history are presented – culminating in the Battle of Actium and the victory of Octavian over the forces of Antony and Cleopatra. A critical text based on a fresh examination of the manuscript tradition is accompanied by a prose translation.
Generic Enrichment in Vergil and Horace
S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC.
The Georgics and the Eclogues
The Eclogues, also called the Bucolics, is the first of the three major works of the Latin poet Virgil, containing ten pieces, each called not an idyll, populated by and large with herdsmen imagined conversing and performing amoebaean singing in largely rural settings, whether suffering or embracing revolutionary change or happy or unhappy love. The Georgics is the second major work by the Latin poet Virgil, with the subject of agriculture; but far from being an example of peaceful rural poetry, it is a work characterized by tensions in both theme and purpose. Publius Vergilius Maro, Virgil, was an ancient Roman poet of the Augustan period. He is known for three major works of Latin literature, The Eclogues, The Georgics, and The Aeneid.
Priapeia
The Priapeia is a collection of ninety-five poems in various meters on subjects pertaining to the phallic god Priapus. It was compiled from literary works and inscriptions on images of the god by an unknown editor, who composed the introductory epigram. From their style and versification it is evident that the poems belong to the classical period of Latin literature. Some, however, may be interpolations of a later period. These poems were posted upon statues of Priapus that stood in the midst of gardens as the protector of the fruits that grew therein. These statues were often crude carvings made from tree trunks. They roughly resembled the form of a man with a huge phallus. The statues also promoted the gardens' fertility. The verses are attributed variously to Virgil, Ovid, and Domitius Marsus. However, most authorities on the matter regard them to have been the work of a group of poets who met at the house of Maecenas, amusing themselves by writing tongue-in-cheek tributes to the garden Priapus. (Maecenas was Horace's patron.) Others, including Martial and Petronius, were thought to have added more verses in imitation of the originals.
Post-Augustan Poetry; From Seneca to Juvenal
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Greek and Roman Textiles and Dress
Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and...
The Xavante in Transition
DIVIlluminates the experience of a small-scale culture with large-scale change /div
