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An Artistic Autoethnography on the Public Fetus explores artistic work with the iconic image of the fetus and the personal consequences of the image by analyzing the so-called public fetus within a feminist approach. This book develops a deeply interdisciplinary body of research, engaging with feminist debates on reproductive technology and imagery, art theory, visual histories of anatomical imagery, cultural critiques of the myth of the artistic genius, Gestalt understandings of perception and memory, and anthropological theories of liminality. Through blurring the artistic with the scientific, it explores the potential of autoethnography to serve as a form of conscious raising through which to create new images and stories that counter the public fetus in support of reproductive autonomy and social justice. This book will be useful to feminist scholars who work with issues related to gender, reproduction, sexuality and autoethnography. At the same time, the book will be of value to undergraduate and graduate students in gender studies as an example of how an autoethnographic process can make unrecognized experiences of gender known to a person.
An Artistic Autoethnography on the Public Fetus explores artistic work with the iconic image of the fetus and the personal consequences of the image by analyzing the so-called public fetus within a feminist approach. This book develops a deeply interdisciplinary body of research, engaging with feminist debates on reproductive technology and imagery, art theory, visual histories of anatomical imagery, cultural critiques of the myth of the artistic genius, Gestalt understandings of perception and memory, and anthropological theories of liminality. Through blurring the artistic with the scientific, it explores the potential of autoethnography to serve as a form of conscious raising through which to create new images and stories that counter the public fetus in support of reproductive autonomy and social justice. This book will be useful to feminist scholars who work with issues related to gender, reproduction, sexuality, and autoethnography. At the same time, the book will be of value to undergraduate and graduate students in gender studies as an example of how an autoethnographic process can make unrecognized experiences of gender known to a person.
Medical Technology and the Social: How Medical Technology is Impacting Social relations, Institutions, and Beliefs about what is Normal explores the intersection of society and medical technology to examine how medical technology impacts our day-to-day lives. The contributors examine a variety of technologies and their impact on the social world, from older technologies such as the use of fax machines in hospitals to cutting-edge technologies such as Bluetooth-enabled smart pills. Underlying each chapter is a consideration of what is “normal”, investigating such themes as power and social control, diffusion of technology, eco-crip theory, the changing role of medical expertise, the embodiment of the fetus in utero, the history of prosthetics, and how technology has reformed conceptions of a “normal” body.
This book will be the first collection that offers an overview and case studies around understandings and manifestations of penises and phalluses in the early twenty-first century. It examines how penises and phalluses are experienced and represented, drawing on examples from pornography, stripping, music video, film, surgery, and comedy. The penis—along with its twin the phallus—has been used to symbolise strength, fertility, and power but also bestiality, violence, and the ‘savage’. It has been worshipped, feared, and mocked. With contributing authors deploying conceptual frameworks based in philosophy, cultural studies, gender studies, affect theory, film theory, feminist theory, art theory, sociology, history, medical anthropology and media studies, this volume will appeal to a broad range of scholars and all who are interested in bodies, genitals, gender, and contemporary cultures.
The modern world can get messy. Fortunately, Swiss artist Ursus Wehrli is a man of obsessive order, as he demonstrates with eye-catching surprise in The Art of Clean Up. Already a bestseller in Germany, this compulsive title has sold more than 100,000 copies in less than a year, and the fastidiously arranged images have garnered blog love from NPR, Brain Pickings, swissmiss, and more. Tapping into the desire for organization and the insanity of über-order, Wehrli humorously categorizes everyday objects and situations by color, size, and shape. He arranges alphabet soup into alphabetical order, sorts the night sky by star size, and aligns sunbathers' accoutrements—all captured in bright photographs sure to astonish even the pickiest of neat freaks.
Facilitation and mediation are important skills in our highly organized world. Holding Change is a guide for attending to both in ways that align with nature, with pleasure, with our best imaginings of our future. It provides lessons for generating the ease necessary to move through life’s inevitable struggles and for practicing the art of holding others without losing ourselves. Black feminists have evolved this wisdom, but it can serve anyone working to create change, individually, interpersonally, and within our organizations. The majority of the book is sourced from brown’s twenty-plus years of facilitation and mediation work, with additional wisdom from a selection of living Black feminist facilitators and mediators.
On the eve of the 20th anniversary of the launching of their men's underwear line, Dolce + Gabbana is publishing a volume celebrating their sensual and unique view of male beauty. Celebrated for styling clothing that accentuates a man's inherent masculinity while revealing some of his hidden empathy, Dolce + Gabbana are one of fashions most celebrated designers. For this volume, Dolce + Gabbana have decided to highlight the beautiful, atmospheric, sensual photographic work of Mariano Vivanco, one of the world's leading photographers and a photographer with whom Dolce + Gabbana have had a long and fruitful collaboration. In this volume, Vivanco collects a series of photographs that celebrate ...
This highly entertaining volume features dozens of immersive, trippy, funny, meditative, and mind-bending images ideal for stoned contemplation. Have you ever really looked at a book? The state of being high rewards deep attention, and lots of things can seem really, really interesting. It might be a spot on the ceiling, or an oddly-shaped tortilla chip, or a bit of wood grain. But why settle for staring at the coffee table? What if there was a book on that table specially created to amaze and delight pot smokers and their friends? Stoner Coffee Table Book is the ultimate conversation starter. Each page offers a new visual world of wonder that everyone can enjoy—especially those living the high life.