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This volume has its origins in 'Depth of Field: Relief in the Time of Donatello', a unique collaboration between the Victoria and Albert Museum and the Henry Moore Institute in Leeds, and the first exhibition to focus specifically on relief sculpture.
The True Story Of Manse Jolly, Part I In 1862, two young South Carolina volunteers forged a brotherhood that stood the test of battle. One lived to tell their tale.... Encompassing one of the most tumultuous decades in American history, this two-volume work of fiction tells the mostly true tale of a tough, rawboned farmer and a naive law graduate whose paths cross one uneventful day and whose fates are forever after intertwined.
The present study is concerned with sculptures of the Virgin and Child, produced in the circle of Donatello during the Early Renaissance. Madonna reliefs and statues in media such as terracotta or stucco were a routine and inexpensive part of Florentine workshop production. Detailed analysis of compositional and qualitative differences among the many surviving versions after the master's designs has helped to define the development of Donatello's involvement with this genre. The systematic compendium of Madonnas, those which are autograph, casts after Donatello's designs, bronze plaquettes, later replicas as well as related compositions by contemporary Florentine artists serves to illustrate the relationship between the master and his various followers with a concrete series of casestudies.
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstr...
This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.