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Learning Not to Drown
“Anna Shinoda’s deeply informed story is not to be missed.” —Dr. Drew Pinsky, Celebrity Rehab and Teen Mom Family secrets cut to the bone in this mesmerizing debut novel about a teen whose drug-addicted brother is the prodigal son one time too many. There is a pecking order to every family. Seventeen-year-old Clare is the overprotected baby; Peter is the typical, rebellious middle child; and Luke is the can’t-do-wrong favorite. In their eyes, they are a normal, happy family. But sometimes it’s the people who are closest to us who are the hardest to see. Clare loves her older brother, Luke—it’s not his fault that he’s always in the wrong place at the wrong time. Life as Luke...
Wappensammler
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Anna at War
"Moving and utterly enthralling" - Lissa Evans As life for German Jews becomes increasingly perilous, Anna's parents put her on a train leaving for England. But the war follows her to Kent, and soon Anna finds herself caught up in a web of betrayal and secrecy. How can she prove whose side she's on when she can't tell anyone the truth? But actions speak louder than words, and Anna has a dangerous plan... A brilliant and moving wartime adventure from the author of Evie's Ghost. Cover illustration by Daniela Terrazzini. "Because I believed in Anna, her war came alive for me. Her struggle, her bravery, all those things were completely real and I read the book overnight, unable to put it down. M...
Buch für Kinder
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Durben
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Official Minutes
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Everyday Life as Alternative Space in Exile Writing
This book is the first comparative study of the novels written by five German-speaking women - Anna Gmeyner, Selma Kahn, Hilde Spiel, Martina Wied and Hermynia Zur Mühlen - who had to flee National Socialist Central Europe. Gmeyner, Spiel, Wied and Zur Mühlen found refuge in Britain and thus added - together with male colleagues such as Stefan Zweig and Robert Neumann - an important but rarely investigated new dimension to the British literary landscape. The aim of this study is to reassess the women refugee writers' narrative strategies and integrate their work within feminist literary studies. The author investigates the five writers' narrativisation of everyday life, used to subvert the dominant discourse, and their portrayal of the intersection between class, racial and gender oppression. She also shows their innovative ways of picturing the gendered tension between the experiences of exile and exile as a modernist metaphor as well as their search for ways to refute the Nationalist Socialist rewriting of history. The book situates the novels within the theoretical discussions surrounding exile studies, social history and women's writing.
