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Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
This is the first comprehensive monograph on Hans Holbein the Younger to have appeared in over 40 years. The authors re-examine every aspect of a remarkable career and cast fresh light on many hitherto vexing questions and misunderstandings.
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in shaping the modern Western worldview.
Describes and analyzes the varieties of sport, games and physical education practiced in Western Europe between 450-1650 AD in their historical and cultural context.
In recent years, Niccolò Machiavelli's works have been viewed primarily with historical interest as analysis of the tactics used by immoral political officials. Roger D. Masters, a leading expert in the relationship between modern natural sciences and politics, argues boldly in this book that Machiavelli should be reconsidered as a major philosopher whose thought makes the wisdom of antiquity accessible to the modern (and post-modern) condition, and whose understanding of human nature is superior to that of Hobbes, Locke, Rousseau, Marx, or Mill. Central to Masters's claim is his discovery, based on previously untranslated documents, that Machiavelli knew and worked with Leonardo da Vinci between 1502-1507. An interdisciplinary tour de force, Machiavelli, Leonardo, and the Science of Power will challenge, perplex, and ultimately delight readers with its evocative story of the relationship between Machiavelli and da Vinci, their crucial roles in the emergence of modernity, and the vast implications this holds for contemporary life and society.
This is the first book to address the gap in the literature linking the physical culture of the ancient world with the beginnings of modern sport, this original book traces the history of the evolution of a variety of sport, games and physical education from 450-1650AD across Western Europe. Drawing on primary sources, this book takes a thematic approach, looking at the changing nature of geopolitical structures, educational systems, religious institutions and the practice of warfare and medicine and goes on to trace the disappearance of ancient physical culture with its gymnasia, gladiators and chariot races, the invention of a new physical culture based on chivalry around 1000AD, the transformation of that culture in the Renaissance, and its disappearance around 1650 under the influences of new science. Offering a new and original perspective on the relationship between sport and society, this unique study will be of great interest to all historians of sport and culture.
This book argues that new groups and radically new concepts of group identity emerged throughout the world during the Renaissance.