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With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
Incisive commentary illuminates complex works for all readers, whatever their previous engagement with contemporary art. The Museum's vibrant programme extends beyond its physical boundaries, and had included exhibitions in venues across Poland and in wider Europe. MOCAK Museum of Contemporary Art in Krakow, which opened on 19 May 2011, is the first post-war institution in Poland founded and purpose-built for the presentation of international contemporary art. The Museum's vibrant programme extends beyond its physical boundaries, and had included exhibitions in venues across Poland and in wider Europe, from the MAXXI - Museo Nazionale delle Arti del XXI Secolo - to the Center for Persecuted Arts in Solingen, the Semperoper Dresden, Kunstmuseum Gelsenkirchen, the Exhibition and Conference Centre LITEXPO in Vilnius and the Palace of Art in Lviv. This selection, chosen by the Director herself, is the perfect introduction to this diverse collection. Her incisive commentary elucidates the complex works displayed and grants new and thought-provoking insights into the work and workings of contemporary artists.
This book depicts the long rich life and wide ranging work of Count Athanasius Raczyński (1788–1874). By exploring his complex personality, his processes of thought and his accomplishments, it reveals a man at once a wealthy aristocrat, a Pole in the Prussian diplomatic service, an active participant in and perceptive observer and critical commentator on political life, a connoisseur and art collector of European renown, and the author of ground breaking studies on German and Portuguese art – in short a distinguished and fascinating nineteenth century figure.
In ice hockey, the term body check refers to a specific move to gain control. It is a blow from body to body, a dynamic clash of physical strength, which will determine the course of the game. In this book, too, the body is checked and there is physical confrontation. Not in the hockey ring, but on stage. This book deals with the body in contemporary (performing) arts. The focus is on exploring theoretical avenues and developing new concepts to grasp corporeal images more accurately. This theoretical research is confronted with the voice of artists whose work explicitly deals with the body. In-depth interviews with a.o. Meg Stuart, Wim Vandekeybus, Romeo Castellucci, Jerôme Bel reveal a very broad range of views on the (re)presentation of the body in today's performing arts. The combination of these two voices -the theoretician's and the artist's -shows that research by artists and cultural scientists is perfectly complementary.
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Jean Potocki a du ecrire quelques milliers de lettres; seules, cent quatre-vingt-dix-neuf ont ete retrouvees, ici reunies. C'est dire le manque, c'est dire aussi l'attente, d'autant plus forte qu'il a toujours apporte grand soin a sa correspondance, redigee de sa propre main. Elle se repartit assez exactement entre le domaine public (lettres a Stanislas Auguste, a Alexandre Ier, a Andrei Budberg) et le domaine prive (lettres a son frere, a sa niece, a son beau-pere). Les limites de la lettre sont moins nettes: on la retrouve dans les voyages, en Turquie, en Hollande, sur le chemin de la Chine, ainsi que dans les ecrits historiques ou politique, sous la forme de memoires adresses aux autorite...
Marta Tomczok presents all Polish postmodern novels about the Holocaust, starting with “The First Splendor” by Leopold Buczkowski and ending with “The Suspected Dybbuk” by Andrzej Bart. She also presents their rich relationships with selected foreign-language prose, which intensified especially at the turn of the 20th and 21st centuries. The culmination of the entire trend is a discussion around two novels: “Tworki” by Marek Bieńczyk and “Fly Trap Factory” by Andrzej Bart, which reveals the aestheticizing and post-memorial profile of Polish postmodernization and its advantage over the historiosophical trend. This monograph is not only the first such collection of post-Holocaust postmodern novels, but also the first comprehensive study of postmodernism in the literature about the Holocaust, which, thanks to comparative analysis, tries to analyze and explain the circumstances of the appearance and later disappearance of this trend from cultural landscape of the world and Poland.
This is a hodgepodge of a disorderly, systematically arranged collection of Polish nobility. On these pages you will learn everything about: descent, nobility, aristocratic literature, aristocratic name endings, aristocratic association, genealogy, bibliography, books, family research, research, genealogy, history, heraldry, heraldry, herbalism, information, literature, names, aristocratic files, nobility, personal history, Poland, Szlachta, coat of arms, coat of arms research, coat of arms literature, nobility, knights, Poland, herbarz. Conglomeration, translations into: English, German, French. Dies ist ein Sammelsurium einer ungeordneten, systematisch geordneten Sammlung des polnischen Ad...