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Nonnus of Panopolis in Context III
Nonnus of Panopolis (5th c. AD), the most important Greek poet of Late Antiquity, is best known for his Dionysiaca, a grand epic that gathers together all myths associated with Dionysus, god of wine and mysteries. The poet also authored the Paraphrase of St. John’s Gospel which renders the Fourth Gospel into sophisticated hexameter verse. This volume, edited by Filip Doroszewski and Katarzyna Jażdżewska, brings together twenty-six essays by eminent scholars that discuss Nonnus’ cultural and literary background, the literary techniques and motifs used by the poet, as well as the composition of the Dionysiaca and the exegetical principles applied in the Paraphrase. As such, the book will significantly deepen our understanding of literary culture and religion in Late Antiquity.
Theory And Practice Of Control And Systems - Proceedings Of The 6th Ieee Mediterranean Conference
This volume gathers together all the lectures presented at the 6th IEEE Mediterranean Conference. It focuses on the mathematical aspects in the theory and practice of control and systems, including stability and stabilizability, robust control, adaptive control, robotics and manufacturing; these topics are under intense investigation and development in the engineering and mathematics communities. The volume should have immediate appeal for a large group of engineers and mathematicians who are interested in very abstract as well as very concrete aspects of control and system theory.
Poetry in Late Byzantium
The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Brill’s Companion to Greek and Latin Epyllion and Its Reception
In classical scholarship of the past two centuries, the term “epyllion” was used to label short hexametric texts mainly ascribable to the Hellenistic period (Greek) or the Neoterics (Latin). Apart from their brevity, characteristics such as a predilection for episodic narration or female characters were regarded as typically “epyllic” features. However, in Antiquity itself, the texts we call “epyllia” were not considered a coherent genre, which seems to be an innovation of the late 18th century. The contributions in this book not only re-examine some important (and some lesser known) Greek and Latin primary texts, but also critically reconsider the theoretical discourses attached to it, and also sketch their literary and scholarly reception in the Byzantine and Middle Ages, the Renaissance, and the Modern Age.
Battlefield Emotions in Late Antiquity: A Study of Fear and Motivation in Roman Military Treatises
Battlefield Emotions in Late Antiquity is a pioneering work, the first to present a comprehensive analysis of fear and motivation on the battlefields of Late Antiquity. By examining military treatises, Łukasz Różycki identifies means of manipulating the morale of soldiers on the same and on opposing sides, showing various examples of military trickery. The book analyzes non-combat properties of equipment, commanders’ speeches, war cries, keeping up appearances, and other methods of affecting the human psyche. The book is written in the spirit of new military history and combines the methodology of a historian, archaeologist, and philologist, and also considers aspects of psychology, particularly related to the functioning of groups and individuals in extreme situations.
Poetry and its Contexts in Eleventh-century Byzantium
Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period...
POWER, ARISTOCRACIES AND PROPAGANDA
The outcome of a scientific conference organized in November 2021, this volume aims to provide a picture of how the aristocratic political class of France and Moldavia sought to challenge monarchical power and how the latter tried to reassert itself in face of this turbulent nobility, in the context of the endemic civil wars that plagued both countries during the chosen period. For this purpose, this volume tries to analyze both the ideological issues involved in these endemic struggles, as they appear in the propaganda of the period, and the practical aspects and consequences (political intrigues or military developments) of the conflictual relationship between the rulers of these countries...
Divine Inspiration in Byzantium
In this volume, Karin Krause examines conceptions of divine inspiration and authenticity in the religious literature and visual arts of Byzantium. During antiquity and the medieval era, “inspiration” encompassed a range of ideas regarding the divine contribution to the creation of holy texts, icons, and other material objects by human beings. Krause traces the origins of the notion of divine inspiration in the Jewish and polytheistic cultures of the ancient Mediterranean and Near Eastern worlds and their reception in Byzantine religious culture. Exploring how conceptions of authenticity are employed in Eastern Orthodox Christianity to claim religious authority, she analyzes texts in a range of genres, as well as images in different media, including manuscript illumination, icons, and mosaics. Her interdisciplinary study demonstrates the pivotal role that claims to the divine inspiration of religious literature and art played in the construction of Byzantine cultural identity.
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Includes section "Comptes rendus".
