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Greek Comedy and Embodied Scholarly Discourse
For the embodiment of scholarly discourse(s) in comedy, two parameters are crucial: the theatricality and performative materiality of the genre of comedy, and the 'material imagery' of the narrative. This book is primarily concerned with two questions: what role did comedy play in shaping and disseminating early scholarly discourses, and how did the concept of laughter and humour in comedy contribute both to the conceptual categories of later scholarship and to comedy itself?
The Philosophy and Science of Language
This volume brings together a diverse range of scholars to address important philosophical and interdisciplinary questions in the study of language. Linguistics throughout history has been a conduit to the study of the mind, brain, societal structure, literature and history itself. The epistemic and methodological transfer between the sciences and humanities in regards to linguistics has often been documented, but the underlying philosophical issues have not always been adequately addressed. With 15 original and interdisciplinary chapters, this volume therefore tackles vital questions relating to the philosophy, history, and theoretical interplay between the study of language and fields as v...
Computational Drama Analysis
Dramatic texts come with a natural structure of acts, scenes and speech clearly assigned to characters that lends itself to computational analysis: These explicit structures allow for straightforward formalizations without extensive preparatory work. Work on drama has therefore always been at the forefront of research in computational literary studies, with its pioneers analyzing drama quantitatively long before the digital age. Today, increasingly large digital text corpora are available and computational literary studies aims at a higher-scaled view on literary history, promising to analyze thousands of literary texts simultaneously. After decades of exploring the possibilities offered by computational methods, the field is now undergoing a phase of consolidation that takes stock of achievements and opportunities and critically reflects the computational methods and interpretations derived from data. Building on insights from the fields' tradition and current research approaches, this volume provides an overview of the status quo of computational drama analysis and explores possible routes for the future.
Latinitatis rationes
This volume assembles 50 contributions presented at the XVII International Colloquium on Latin Linguistics. They embrace essential topics of Latin linguistics with different theoretical and methodological approaches: phonetics, syntax, etymology and semantics, pragmatics and textual analysis. It is a useful resource for the study of comparative and general linguistics, not only for linguists but also for scholars of classical philology.
Politics of Pasts and Futures in (Post-)Imperial Contexts
Although empires have played a decisive role in political thinking and the orientation of political goals at all times, the focus of research has so far mostly been on spatial and ideological aspects. This volume, on the other hand, offers a multi-disciplinary collection of studies that deal with the instrumentalization and ongoing impacts of perspectives on empire and their place in time. Coming from archaeology, history, art history, literary studies, and social sciences, the individual case studies discuss perceptions of imperial histories and imagined futures of empires, both in imperial and in post-imperial contexts. The transcending historical significance of the imperial ideas and ideals shows the deep and long-lasting effects of empire in landscapes, mindscapes, and social structures. The diachronic cut through all epochs from antiquity to modern times is complemented by a broad global view to deepen the temporal understanding of imperial imaginaries as well as their political implications.
Dante's Comedy and the Ethics of Invective in Medieval Italy
Dante's Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts ...
Brill's Companion to Ancient Greek Scholarship (2 Vols.)
Brill’s Companion to Ancient Greek Scholarship aims at providing a reference work in the field of ancient Greek and Byzantine scholarship and grammar, thus encompassing the broad and multifaceted philological and linguistic research activity during the entire Greek Antiquity and the Middle Ages. The first part of the volume offers a thorough historical overview of ancient scholarship, which covers the period from its very beginnings to the Byzantine era. The second part focuses on the disciplinary profile of ancient scholarship by investigating its main scientific topics. The third and final part presents the particular work of ancient scholars in various philological and linguistic matters, and also examines the place of scholarship and grammar from an interdisciplinary point of view, especially from their interrelation with rhetoric, philosophy, medicine and nature sciences.
Seeing Color in Classical Art
The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.
Recent Trends and Findings in Latin Linguistics
These volumes contain a selection of contributions first presented at the 21st International Colloquium on Latin Linguistics, held in Santiago de Compostela (2022). They cover essential topics in Latin linguistics from a variety of theoretical and methodological approaches. The first volume includes papers on Latin Syntax and Semantics, Latin Syntax and Pragmatics, Greek-Latin language, and Digital Linguistics. The contributions report on the latest research into very relevant issues in specific areas such as definiteness, casual syntax, sentence structure, word order, etc.; in addition, the most recent methodological advances using a variety of databases, a key tool in contemporary research...
FrC 21 Timokles
From some points of view, Timocles departs from the norm of his time, and in particular from near-contemporary comedians such as Alexis, Eubulus and Antiphanes, and appears to be the most 'Aristophanic' poet of the fourth century. More specifically, in a period when political satire seems to have lost its vigor, he employs acerbic attacks against major and minor Athenian politicians. The fact that at least sixteen of the forty-two surviving fragments of his poetry contain explicit or implicit references to politicians can hardly be attributed to chance. Timocles' inventiveness and versatility are also demonstrated, inter alia, in his combination of different motifs, his association of mythical figures with contemporary personalities and his employment of a figurative language. The present volume follows the principles and structure of the commentaries of the KomFrag project. It includes an introduction on Timocles and a detailed examination and commentary of the testimonies and the surviving fragments.
