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Anna Riehl
Contains the letters of Anna Riehl, written while attending the University of Illinois.
The Face of Queenship
The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen s face register her contemporaries hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
Queens Matter in Early Modern Studies
The essays in this book traverse two centuries of queens and their afterlives—historical, mythological, and literary. They speak of the significant and subtle ways that queens leave their mark on the culture they inhabit, focusing on gender, marriage, national identity, diplomacy, and representations of queens in literature. Elizabeth I looms large in this volume, but the interrogation of queenship extends from Elizabeth's historical counterparts, such as Anne Boleyn and Catherine de Medici, to her fictional echoes in the pages of John Lyly, Edmund Spenser, William Shakespeare, Mary Wroth, John Milton, and Margaret Cavendish. Celebrating and building on the renowned scholarship of Carole Levin, Queens Matter in Early Modern Studies exemplifies a range of innovative approaches to examining women and power in the early modern period.
Heart and Soul
Gardens I spend a lot of quiet time in gardens, And not alone, for God is also there. In gardens, joy prevails against despair, For seeds of hope and faith and love and joy Grow very well in gardens. In Heart and Soul, retired high school English teacher Jack London Riehl shares a poignant collection of poetic family reminiscence, light military verse, and tender love poems that provides an engaging portrayal of one man’s life. Jack Riehl begins his compilation with his first two poems he wrote at age eighteen—a required assignment for all high school yearbook staff that culminated in fueling his life-long passion for written verse. In his unique style, Riehl interjects a mix of wry humor and a whimsical view of life as he offers an armchair philosopher’s insight into how he learned to conquer disappointment, face the dilemmas of a soldier, laugh at himself, and think youthfully as he journeyed through eighty-eight adventurous years. Accompanied by over twenty timeless photographs, Heart and Soul offers wisdom for both the young and the old as it tenderly leads others through the circle of life.
The Name of a Queen
Itinerarium ad Windsor concerns a central question of the Elizabethan era: Why should a woman be allowed to rule with the same powers as a king? The man who poses this controversial question within Itinerarium is none other than Queen Elizabeth's powerful favorite Robert Dudley, Earl of Leicester. On hand to provide answers are the statesman and poet Thomas Sackville, Lord Buckhurst, and William Fleetwood antiquary, Recorder of London, and dutiful chronicler of their 1575 conversation. This critical edition of Itinerarium reproduces Fleetwood's text with annotations and a host of interpretive and contextualizing essays from leading scholars. Taken together, they constitute the definitive introduction to this remarkable discussion of regnant queenship, providing a valuable tool for understanding contemporary notions of and underlying fears concerning the efficacy and desirability of female rule in Elizabethan England.
Fairy Tale Queens
Most of today's familiar fairy tales come from the stories of Charles Perrault, the Brothers Grimm, and Hans Christian Andersen, but this innovative study encourages us to explore the marvelous tales of authors from the early modern period Giovanni Straparola, Giambattista Basile, Madame Marie-Catherine D'Aulnoy, and others whose works enrich and expand the canon. As author Jo Eldridge Carney shows, the queen is omnipresent in these stories, as much a hallmark of the genre as other familiar characteristics such as the number three, magical objects, and happy endings. That queens occupy such space in early modern tales is not surprising given the profound influence of so many powerful queens in the political landscapes of early modern England and Europe. Carney makes a powerful argument for the historical relevance of fairy tales and, by exploring the dynamic intersection between fictional and actual queens, shows how history and folk literature mutually enrich our understanding of the period.
The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture, 1500-1630
Cover -- Copyright page -- Contents -- Note on Sources -- Acknowledgments -- Introduction: Can the Subaltern Signify? Tracing the Lives of Girls and Women from the Islamic World in British Literature and Culture, c. 1500-1630 -- Chapter One: The "Presences of Women" from the Islamic World in Late Medieval Scotland and Early Modern England -- Chapter Two: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Queen Elizabeth I, the Tartar Girl, and the Tartar-Indian Woman -- Chapter Three: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Lady Mary Wroth, the Tartar-Persian Princess, and the Tartar King -- Chapter Four: Signifying Gender and Islam in Early Shakespeare: The Comedy of Errors (1594) and the Gray's Inn Revels -- Chapter Five: Signifying Gender and Islam in Late Shakespeare: Henry VIII or All is True (1613) and British "Masques of Blackness" -- Chapter Six: The Intersecting Paths of Two Women from the Islamic World: Teresa Sampsonia, Mariam Khanim, and the East India Company -- Notes -- Bibliography -- Index
The Oxford Handbook of Tudor Drama
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Princely Education in Early Modern Britain
This book shows how liberal education taught Tudor and Stuart monarchs to wield pens like swords and transformed political culture in early modern Britain.
The Elizabethan Mind
The first comprehensive guide to Elizabethan ideas about the mind What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today--although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humours and passions, and was susceptible to the Devil's interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind. This was a period of turbulence and transition, as persistent medieval theories competed with revived classical ideas and emerging scientific developments. Drawing on a wealth of sources, Hackett sheds new light on works by Shakespeare, Marlowe, Sidney, and Spenser, demonstrating how ideas about the mind shaped new literary and theatrical forms. Looking at their conflicted attitudes to imagination, dreams, and melancholy, Hackett examines how Elizabethans perceived the mind, soul, and self, and how their ideas compare with our own.
