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Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children thro...
"The Resistance fighter whose code name was Sparrow relentlessly pursues the collaborator of one of the worst Nazi atrocities in Italy during WWII. But in the treacherous and mysterious land of the Garfagnana, he discovers something he has long hidden within himself."--Page 4 of cover
There is a growing awareness in Early Years education that an essential part of children’s development involves creative engagement through language, gestures, body movements, drawing and music; creating shared meanings in playful contexts. Supporting Children’s Creativity through Music, Dance, Drama and Art brings together contributions from a range of professionals and early years practitioners, to help readers implement the themes of the Early Years Foundation Stage framework in a creative way. Emphasising the need for responsive adults and a creative atmosphere for learning, this book covers: How to promote a creative classroom effectively The importance of talking and listening in g...
There are many mysteries about ancient Egypt. But perhaps the most enigmatic puzzle is the Great Pyramid. Established Egyptologists insist with fervor and uncommon zeal that it was built as a tomb by Khufu or Cheops, the fourth dynasty pharaoh who reigned about forty-five hundred years ago. No mummy has ever been found in any of the one hundred or so Egyptian pyramids so far discovered, particularly the Great Pyramid. There are no funerary hieroglyphics or paintings in the Great Pyramid. In-fact there is not a single hieroglyph or painting within or without the whole structure. The mathematical and geometrical skills as well as advance precision engineering attest to an erudite company with ...
Volume two explores the way a wide range of classic princess tales written by marginalized writers. Rapunzel and Snow White, with their pale skin or long ropes of golden hair, are particularly popular vehicles for exploring and challenging racialized constructions of beauty. Marriage is the traditional vehicle of a happy ending in Princess tales, so marginalized responses to these tales also inherently respond to the doubly colonized position of women in the Anglophone world. The institution of marriage typically exposes the institutional oppression of colonized women. Authors include Charles Chesnutt, Jessie Fauset, Julia Kavanaugh, George Edwards, some of the unpublished manuscripts of Jewish-Australian author Joseph Jacobs, and the earliest work of Sinèad de Valera, as well as fin-de-siècle illustrators such as Harry Clarke, and collected oral tales.
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After everything they’ve been through, after the wars and fights, after the lies and alliances, Sarah and Lucas are finally together. They fought for each other’s love, and they won. There’s still much to heal from, but this new chapter offers them new surprises and new allies—fairies, a group of people they never expected to meet. Sarah and Lucas, and their son Fergus, are delighted by the fairies’ friendship and the magic they bring. But the rest of the pack isn’t so sure. Can the fairies be trusted? Fears deepen, especially as fairies and wolves alike begin disappearing. Yet only the wolves reappear—brutally murdered and skinned of their fur. Amidst devastating tragedy, Sarah and Lucas must rekindle their bond and resurrect their love. And above all, they must ensure the unity of the pack. Can Sarah and Lucas stop the murders before another wolf is taken? Or will their son, Fergus, be next?