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The first volume of a brand new horror anthology series. Ghost stories and tales of fright have a long verbal and written tradition in Singapore, and so Epigram Books is proud to present a new annual anthology series of terrifying local fiction. Featuring all the winners of the 2022 Storytel Epigram Horror Prize, Fright 1 celebrates all subsets of the horror genre, told with a Singaporean twist. The contributors include Meihan Boey, Dew M. Chaiyanara, Dave Chua, Jane Huang, Wen-yi Lee, Kelly Leow, Kimberly Lium, O Thiam Chin, Quek Shin Yi, Tan Lixin and Teo Kai Xiang.
This book offers a variety of essays and perspectives on some of the foreigners and traders who came to the Malay World and wrote fiction and “faction” (writing that portrays real people or events in a dramatised manner) during their sojourn – regardless of whether they continued to stay in the region, returned to their home country, or migrated to another country. The essays tend to cross generic and disciplinary boundaries as the contributors of this book are drawn from various fields within the arts and humanities, including history, geography, language and literature and translation. All of them, however, deal with colonial texts, the Malay World, or primarily cover the period from...
This book addresses the way cities have given rise to key aesthetic dispositions that are central to debates in World Literature.
In this latest book, Mohamed Aidil Subhan rallies together young practitioners and researchers of the Malay Language who were born post-independence Singapore. This is the first ever collection of research on issues affecting Malay Language planning that is written by Malay Language educators themselves, thus the title “Heart Truths”. This collection of writings will give a different perspective of the issues based on sound theoretical framework. Subsequently, the editor has reserved a portion, albeit small, of the book for contributors to give their perspective of what the future holds and what can be done to ensure the continued survival of the language post SG100. Therefore, this book is not only meant to be read today looking back at what has transpired, but is also meant for future readers especially in 2065 when they look back and research on Malay Language planning from SG50 to SG100. This book will be a documentation of firsts, detailing not only about the past, but also of our wishes for the future. The contributing writers may not be able to see their contribution bear fruit but their writings and wishes will be judged by those who will be reading this book in 2065.
This book, Abdullah bin Abdul Kadir Munshi, is the most comprehensive, multi-disciplinary studies on Abdullah bin Abdul Kadir, widely known as Munshi Abdullah (1796-1854). He was a prominent literary figure and thinker in the Malay world in the 19th century and was also an early 'pioneer' of Singapore.The author, Professor Hadijah Rahmat, has spent more than 25 years studying Munshi Abdullah since her PhD studies in the School of Oriental and African Studies (SOAS), University of London, in 1992 to date. This book is covered in two volumes and is based on her research conducted using unexplored primary sources at several missionaries' archives at SOAS, London, Houghton Library, University Ha...
"Guiding you through the topics that shape aesthetics, this introduction explores the truth, meaning, taste, aesthetic merit and the role of perception. Each chapter offers a wealth of examples from Asia, including Sonny Liew's The Art of Charlie Chan Hock Chye, Tan Tai Yong, Kueh Appreciation Day and dragon kiln pottery. They deal with controversies and address central questions, such as: When are artworks considered dangerous? Why does Socrates recommend the banishment of the poets? What are the problems and challenges posed by forgery? Here is a creative and accessible introduction that inspires a love for art and aesthetics"--
Comprising 11 countries and hundreds of languages from one of the most culturally diverse regions in the world, the chapters in this collection explore a wide range of translation issues. The subject of this volume is set in the contrasted landscapes of mainland peninsulas and maritime archipelagos in Southeast Asia, which, whilst remaining a largely minor area in Asian studies, harbors a wealth of textual heritage that opens to inquiries and new readings. From the post-Angkor Cambodia, the post-colonial Viantiane, to the ultra-modern Singapore metropolis, translation figures problematically in the modernization of indigenous literatures, criss-crossing chronologically and spatially through ...
--Winner of the 2015 Epigram Books Fiction Prize-- During the Christmas holidays in 2004, an earthquake in the Indian Ocean triggers a tsunami that devastates fourteen countries. Two couples from Singapore are vacationing in Phuket when the tsunami strikes. Alternating between the aftermath of the catastrophe and past events that led these characters to that fateful moment, Now That It’s Over weaves a tapestry of causality and regret, and chronicles the physical and emotional wreckage wrought by natural and manmade disasters.