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Wandering through Guilt
The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the biblical figure of Cain, while presenting a critical framework valid for boundary-crossing comparative approaches. From Graham Greene’s The Power and the Glory and Malcolm Lowry’s Under the Volcano, to Wo...
Defying Gravity
A major reassessment of the work of Jean Paulhan within the context of his own times as well as in the light of contemporary debates in literary theory.
Rethinking the Political
A compelling account of a controversial and innovative episode in sociological thought
Autobiographical Poetry in England and Spain, 1950-1980
The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one’s own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one’s own community.
Women as Veterans in Britain and France after the First World War
The legacies service in the First World War had on women's lives and the privileges it afforded some of them.
Black Cosmopolitanism and Anticolonialism
This book examines the cosmopolitanism and anticolonialism that black intellectuals, such as the African American W.E.B. Du Bois, the Caribbeans Marcus Garvey and George Padmore, and the Francophone West Africans (Kojo Touvalou-Houénou, Lamine Senghor, and Léopold Sédar Senghor) developed during the two world wars by fighting for freedom, equality, and justice for Senegalese and other West African colonial soldiers (known as tirailleurs) who made enormous sacrifices to liberate France from German oppression. Focusing on the solidarity between this special group of African American, Caribbean, and Francophone West African intellectuals against French colonialism, this book uncovers pivotal moments of black Anglophone and Francophone cosmopolitanism and traces them to published and archived writings produced between 1914 and the middle of the twentieth century.
Paradise Destroyed
"Cover"--"Title Page" -- "Copyright Page" -- "Table of Contents" -- "List of Illustrations" -- "List of Maps" -- "List of Tables" -- "Acknowledgments" -- "Introduction" -- "1. French Race, Tropical Space" -- "2. The Language of Citizenship" -- "3. The Calculus of Disaster" -- "4. The Political Summation" -- "5. Marianne Decapitated" -- "Epilogue" -- "Notes" -- "Bibliography
Souvenirs and New Ideas
Early travellers to Egypt, Mesopotamia, Greece, Turkey and the Levant recorded and remembered their journeys by collecting or creating mementos of places they visited. This natural inclination took many guises, ranging from painting landscapes or, later, taking photographs to acquiring souvenirs, very often antiquities. The collection of antiquities, a controversial and usually illegal practice today, was in the 18th and 19th centuries not necessarily either, and many privately assembled collections now form the basis of major national museums. Souvenirs and New Ideas explores the human desire to retain the memory of a foreign journey, in a series of essays that examine the collections of a ...
14/18 – Rupture or Continuity
The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.
Les ambiances dans les littératures de langue française du XIXe siècle à nos jours
Cet ouvrage se situe au carrefour des théories sur l’ambiance et de « la poétique de l’ambiance ». À l’intersection de ces deux axes, il examine un corpus de textes de langue française parus à partir du XIXe siècle, où l’ambiance et sa mise en mots jouent un rôle de premier plan dans la représentation de la vie quotidienne, du rapport au lieu/milieu et des sensations qui y surgissent.
