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Examines the life of the androgynous nineteenth-century American actress and her work on the Anglo-American stage
Writers in Museums 1798-1898
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
A few of Dundee City's lesser-known writers and artists got together to get themselves "out there"...and this is the result. Creatures of the dark and the imagination stalk the pages within, fragments of reality scattered upon the floor of fantasy, myth and history, transcending genres and labels. Chaz Wood, author of "Maranatha" (also available from Fenriswulf Books), has brought together an eclectic, challenging though never predictable selection of what Dundee's artistic underground has to offer.And beware the Mandrake, the deadly aid to amor.It could be you as the next messiah...
When Anne Abbot moves to Brewster, Olivia Marsden takes an immediate dislike to the newcomer. Anne’s perkiness really rankles, and Olivia finds the open way she talks about her faith very annoying. Overwhelmed with the prospect of making a good impression in this, her fifth town in eight years of not-so-happy marriage, Anne prays for a deep friendship and finds herself drawn to cool, aloof Olivia. One day, Olivia faces a family emergency and turns to Anne for help. In one evening, the two become fast friends. The fledgling friendship deepens when Anne is diagnosed with breast cancer. Misunderstandings, the shadow of death, and a beautiful new life play out in the alternating voices of the main characters. After Anne marks the first of an exceptional new novel series. Readers will be drawn to the intimacy of Libby and Anne's narratives and inspired by their story of friendship, forged by fire and inspired by God.
The essays in this collection ( on Canada, the USA, Australia and the UK) question and discuss the issues of cross-cultural identities and the crossing of boundaries, both geographical and conceptual. All of the authors have experienced cross-culturalism directly and are conscious that positions of ‘double vision’, which allow the / to participate positively in two or more cultures, are privileges that only a few can celebrate. Most women find themselves “caught between cultures”. They become involved in a day-to-day struggle, in an attempt to negotiate identities which can affirm the self and, at the same time, strengthen the ties which unites the self with others. Theoretical issue...
This polemic account provides a fresh perspective on the importance of Creative Writing to the emergence of the 'new humanities' and makes a major contribution to current debates about the role of the writer as public intellectual.
Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne
By means of contextualized readings, this work argues that autobiographic writing allows an intimate access to processes of colonization and decolonization, incorporation and resistance, and the formation and reformation of identities which occurs in postcolonial space. The book explores the interconnections between race, gender, autobiography and colonialism and uses a method of reading which looks for connections between very different autobiographical writings to pursue constructions of blackness and whiteness, femininity and masculinity, and nationality. Unlike previous studies of autobiography which focus on a limited Euro American canon, the book brings together contemporary and 19th-century women's autobiographies and travel writing from Canada, the Caribbean, Kenya, South Africa, Australia and New Zealand. With emphasis on the reader of autobiography as much as the subject, it argues that colonization and resistance are deeply embedded in thinking about the self.
ARATJARA is the first collection of essays on Australian Aboriginal culture published and edited from Germany. A group of internationally renowned scholars and specialists in their fields have contributed original essays on political and cultural aspects of Aboriginal life today. These various essays treat the struggle of Aboriginal peoples for land rights, their music, and their achievements in theatre, in literature and in the creation of Aboriginal literary discourses, as well as Aboriginal film and television productions and the representation of Australia's indigenous peoples in the white media. Among Aboriginal writers who have contributed to ARATJARA are the politician Neville T. Bonner, the dramatist Bob Maza, the story-teller David Mowaljarlai and the poet Lionel Fogarty, who has been called the most authentic Aboriginal voice among writers using English as their medium of creative expression. The volume is dedicated to Oodgeroo (formerly Kath Walker, 1920-1993), one of the foremost Aboriginal political and cultural personalities, and also contains a number of poems by Lionel Fogarty.