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Haunted Bodies
In Haunted Bodies, Anne Goodwyn Jones and Susan V. Donaldson have brought together some of our most highly regarded southern historians and literary critics to consider race, gender, and texts through three centuries and from a wealth of vantage points. Works as diversive as eighteenth-century court petitions and lyrics of 1970s rock music demonstrate how definitions of southern masculinity and femininity have been subject to bewildering shifts and disabling contradictions for centuries.
New Essays on My Ántonia
A collection of essays on Willa Cather's most famous novel, My Antonia.
One Writer's Imagination
In One Writer's Imagination, Suzanne Marrs draws upon nearly twenty years of conversations, interviews, and friendship with Eudora Welty to discuss the intersections between biography and art in the Pulitzer Prize winner's work. Through an engaging chronological and comprehensive reading of the Welty canon, Marrs describes the ways Welty's creative process transformed and transfigured fact to serve the purposes of fiction. She points to the sparks that lit Welty's imagination -- an imagination that thrived on polarities in her personal life and in society at large. Marrs offers new evidence of the role Welty's mother, circle of friends, and community played in her development as a writer and...
Liberating Sojourn
Still in his twenties but already famous for his fiery orations and controversial autobiography, black abolitionist Frederick Douglass traveled to Great Britain in 1845 on an eighteen-month lecture and fund-raising tour. This book examines how that visit affected transatlantic reform movements and Douglass’s own thinking. The first book dedicated specifically to the trip, it features the work of scholars from both sides of the Atlantic--including Douglass biographer William McFeely and abolitionist scholar R. J. M. Blackett--who use Douglass’s visit to reexamine aspects of his life and times. The contributors reveal the visit’s significance to an understanding of transatlantic gender relations, religion, radicalism, and popular views of African Americans in Britain and also examine such topics as Douglass’s attitudes toward the Irish and his campaign against the Free Church of Scotland for accepting southern money. Together, these essays show that Douglass’s journey was a personal and political triumph and a key event in his development, leaving him better prepared to set the strategies and ideologies of the abolitionist movement.
Affective Labour in British and American Women’s Fiction, 1848-1915
This volume is a comprehensive and transatlantic literary study of women’s nineteenth-and-twentieth-century fiction. Firstly, it introduces and explores the concept of women’s affective labour, and examines literary representations of this work in British and American fiction written by women between 1848 and 1915. Secondly, it revives largely ignored texts by the “scribbling women” of Britain and America, such as Mary Elizabeth Braddon, Elizabeth Stuart Phelps, Mona Caird, and Mary Hunter Austin, and rereads established authors, such as Elizabeth Gaskell, Kate Chopin, and Edith Wharton, to demonstrate how all these works provide valuable insights into women’s lives in the nineteenth and early twentieth centuries. Finally, by adopting the lens of affective labour, the study explores the ways in which women were portrayed as striving for self-fulfilment through forms of emotional, mental, and creative endeavours that have not always been fully appreciated as ‘work’ in critical accounts of nineteenth-and-twentieth-century fiction.
The Only Efficient Instrument
Many farsighted women writers in nineteenth-century America made thoughtful and sustained use of newspapers and magazines to effect social and political change. “The Only Efficient Instrument”: American Women Writers and the Periodical, 1837-1916 examines these pioneering efforts and demonstrates that American women had a vital presence in the political and intellectual communities of their day. Women writers and editors of diverse social backgrounds and ethnicities realized very early that the periodical was a powerful tool for education and social reform—it was the only efficient instrument to make themselves and their ideas better known. This collection of critical essays explores A...
Confederate Statues and Memorialization
Nine killed in Charleston church shooting. White supremacists demonstrate in Charlottesville. Monuments decommissioned in New Orleans and Chapel Hill. The headlines keep coming, and the debate rolls on. How should we contend with our troubled history as a nation? What is the best way forward? This first book in UGA Press's History in the Headlines series offers a rich discussion between four leading scholars who have studied the history of Confederate memory and memorialization. Through this dialogue, we see how historians explore contentious topics and provide historical context for students and the broader public. Confederate Statues and Memorialization artfully engages the past and its influence on present racial and social tensions in an accessible format for students and interested general readers. Following the conversation, the book includes a "Top Ten" set of essays and articles that everyone should read to flesh out their understanding of this contentious, sometimes violent topic. The book closes with an extended list of recommended reading, offering readers specific suggestions for pursuing other voices and points of view.
Having Our Way
The collection considers the work of ten women writers: Nella Larsen, Zelda Fitzgerald, Flannery O'Connor, Eudora Welty, Sylvia Plath, Hisaye Yamamoto, Toni Morrison, Maxine Hong Kingston, Louise Erdrich, and Sandra Cisneros.
The History of Southern Women's Literature
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspect...
