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The Damage Done
A political intrigue of 1960s/70s FBI COINTELPRO clandestine operations written in narrative poetry. The "damage done" in Susana H. Case's remarkable poetry thriller set in late 1960s New York City is of two orders. On the surface, this is the story of Janey, a fashion model whose death under mysterious circumstances serves as an opportunity for a corrupt FBI agent in the Counter Intelligence Program (COINTELPRO) to frame Janey's Black Panther lover for her death, making them both collateral damage in J. Edgar Hoover's clandestine war on anyone he deemed un-American. But on another level, as Case instructs us, the greater damage done is to democracy itself, to trust and faith in government, an enduring legacy of suspicion and division that serves as a cautionary tale at a moment when those divisions and distrust are more enflamed than ever. That's a tall order for a volume of poetry, but Case more than succeeds in this audacious, breathtaking collection. Poetry.
How to Behave in a Crowd
A witty, heartfelt novel that brilliantly evokes the confusions of adolescence and marks the arrival of an extraordinary young talent. Isidore Mazal is eleven years old, the youngest of six siblings living in a small French town. He doesn't quite fit in. Berenice, Aurore, and Leonard are on track to have doctorates by age twenty-four. Jeremie performs with a symphony, and Simone, older than Isidore by eighteen months, expects a great career as a novelist—she's already put Isidore to work on her biography. The only time they leave their rooms is to gather on the old, stained couch and dissect prime-time television dramas in light of Aristotle's Poetics. Isidore has never skipped a grade or ...
Directing Herbert White
In Directing Herbert White James Franco writes about making a film of Frank Bidart's poem, Herbert White. Though the main character, Herbert White is a necrophiliac, and a killer, the poem - and the film - are an expression of life's isolation and loneliness. A poem became a film. In the rest of book, Franco uses poems to express what he feels about film: about acting; about the actors he admires - James Dean, Marlon Brando, Sean Penn; about the cult of celebrity and his struggles with it; about his teenage years in Palo Alto, and about mortality prompted by the death of his father. These preoccupations are handled with a simplicity and directness that recalls the work of Frank O'Hara.
The Low-Residency MFA Handbook
Provides aspiring Creative Writing graduate students with all the information they need on which low-residency program is best suited to them.
Bared
Bared: Contemporary Poetry and Art on Bras and Breasts collects the work of 170 contemporary women poets and artists. Exploring the gendered narratives that clothe and fashion the body, gender subversion, the traditional male gaze, feminist theories, and more, the artists and poets collected in Bared: Contemporary Poetry and Art on Bras and Breasts resist given narratives about the breast and bra by boldly presenting alternatives in written and visual art.
Strange Fruit
This anthology was inspired by efforts to abolish Washington State's death penalty by using the power of poetry. The poems were chosen for their intention to evoke empathy, to open minds and hearts to the fate of individuals on death row and the individuals directly affected by their crimes. Poets from around the United States address the sentiment in Bryan Stevenson's book Just Mercy: A Story of Justice and Redemption: "The death penalty is not about whether people deserve to die for the crimes they commit. The real question of capital punishment in this country is, do we deserve to kill?" Poet and author of Instrument of Gaps, writes, "...when the scales we turn to for justice are weighed ...
The Book of Donuts
Poetry anthology of fifty-four poems about donuts by fifty-one poets, including Denise Duhamel, Jack Bedell, Mira Rosenthal, Martha Silano, Julian Standard, and Charles Harper Webb. Edited by Jason Lee Brown and Shanie Latham. Introduction by Grace Cavalieri.
Big Man on Campus
An eye-opening and at times controversial insider's look at the current state of higher education in America, from one of the nation's most distinguished and down-to-earth university presidents. At a time when daily news headlines scream of competitive college enrollments, skyrocketing tuition, campus violence, alcohol and drug abuse, and other campus scandals, the former president of The George Washington University tells it like it really is. Educated at Columbia, Yale, and Harvard universities, with a membership in Phi Beta Kappa, more than fifteen honorary doctorates, four books, and numerous published articles, Stephen Joel Trachtenberg is one of the leading voices in American higher ed...
The Wavering Fledge of Light
This collection of poems begins with the Sonoran Desert, a return to personal and social histories. Poems crisscross the desert to bear witness to the live repercussions of past and contemporary events, from Bisbee, Arizona, in 1917 to the border country one hundred years later. The vision widens to chart a contemplative orientation between the desert as a place of refuge and beauty, and the desert, in Thomas Merton's words, as "the country of madness." The elegiac spirit that runs through the collection is the same one that searches for tenors of human connection and solidarity. Children play a central role in this project. Traveling far beyond the southwest, from Olaszfalu, Hungary, to Pittsburgh, Pennsylvania, histories and communities are experienced as interspersing realities. Poems seek to be responsive to and responsible for memory in its many iterations, including the birth of language itself, so that the meaning of home ground can be revealed. In this way, the desert is both a geographic place as well as an interior, more expansive, and difficult to define terrain, a literal and figurative desert.
Farewell, Aylis
The three novellas of Farewell, Aylis take place over decades of transition in a country that rather resembles modern-day Azerbaijan. In Yemen, a Soviet traveler takes an afternoon stroll and finds himself suspected of defecting to America. In Stone Dreams, an actor explores the limits of one man’s ability to live a moral life amid conditions of sociopolitical upheaval, ethnic cleansing, and petty professional intrigue. In A Fantastical Traffic Jam, those who serve the aging leader of a corrupt, oil-rich country scheme to stay alive. Farewell, Aylis, a new essay by the author that reflects on the political firestorm surrounding these novellas and his current situation as a prisoner of conscience in Azerbaijan, was commissioned especially for this Academic Studies Press edition.
