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The publication of the Wellesley manuscript marks the first complete edition of fifty-three poems by the most talented and significant woman poet of the Restoration and eighteenth century. Anne Finch (1661-1720) wrote most of these poems in the last decade of her life, and they are essential to a complete evaluation of her work. This authoritative edition, edited by Barbara McGovern and Charles H. Hinnant, is useful for scholars as well as general readers of eighteenth-century poetry and women's literature. It contains textual notes, commentary, and an introduction that examines many of the issues relevant to Finch's poetry, including political climate, literary milieu, personal circumstance...
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This second volume provides established texts of Finch's later collections in print and manuscript form, Miscellany Poems, on Several Occasions (1713) and The Wellesley Manuscript, as well as uncollected poems and letters.
Miscellany poems, on several occasions By Anne Kingsmill Finch Winchilsea Anne Finch (nA(c)e Kingsmill), Countess of Winchilsea (1661-1720), was one of the first female English poets to be published. She was well educated as her family believed in good education for girls as well as for boys We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves...
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances B...
Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life Anne was involved in several Court cases that dragged on for years. These involved both a share of her parents estate for her education and later her and her husband's share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, later King James II) at St James's Palace. Anne's interest in poetry began at the palace, and she started writing her own verse. The Court however was no place for a woman to display any poetic efforts. Woman were not considered suitable for such literary pursuits. At court, Anne met Colonel Heneage Finch. A courtier as well as a soldier. The couple married on 15th May 1684.
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"This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia"--