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This study demystifies the concept of collaboration. The author suggests a framework to enable collaboration to take place, and details the skills which can be used to facilitate the process. She concludes that inter-professional and interagency collaboration can be creative and exciting despite the problems involved.
My mother had just turned ten in mid-1933 when a young woman approached her as they were both leaving Mass at St Joan of Arc's in Brighton...The woman was an artist and she would like to paint her portrait... After her mother's death in 2005, Anne Summers inherits a portrait of her mother as a child. Mesmerised by this image, she finds herself drawn into the story of how the portrait was painted and eventually found its way into her family. She soon learns the artist painted another portrait of her mother; this time as the Madonna. In a gripping narrative that is part art history, part detective story and part meditation on the relations between mothers and daughters, Anne's search for the Madonna painting and the mysterious Russian migr collector who bought both paintings takes her down unexpected paths. Her search soon turns into a parallel quest to rescue Constance Stokes, the artist, from obscurity, and to learn why the collector suddenly abandoned the paintings. Along the way Anne finds she must face the truth of the relationship she had with her mother. In turn hypnotic and moving, The Lost Mother is a powerful exploration of art, loss and love.
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The work of Mexican artist Héctor Zamora engages with urban or built environments, both disrupting and rearticulating the viewer’s interaction with the site. Lattice Detour, his most recent intervention, commissioned by The Met for its Iris and B. Gerald Cantor Roof Garden, is fabricated from terracotta bricks produced in Mexico and transported to New York. This compact volume, the first book in English on Zamora, presents images and analysis of the new artwork, setting its creation in the context of his past work. An interview with Zamora sheds further light on his formation as an artist, his process, and his inspirations.
"Transatlantic Brethren recreates the Atlantic community of Baptists in Britain and America by focusing on the correspondence and connections of the Rev. Samuel Jones of Pennepek, near Philadelphia. Themes such as shared news of gospel success, the development of Baptist associations, and a learned ministry made for meaningful, if not always harmonious, communication between Baptists on both sides of the Atlantic during the eighteenth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture. As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism...
Air Supplied doubles as an artbook and edited collection of critical essays on the work of Australian-based artist David Cross. Known for his practice with inflatable structures, his projects often draw audiences into unexpected situations and dialogues. Working across performance/participatory art and object-based environments, Cross has developed a unique body of work that focuses on relationships between pleasure, the grotesque, and phobia. His curious architectural structures, which often resemble children’s funhouses, draw participants into physically and psychologically complex scenarios. While often large in scale, these structures at the same time create a framework around which id...