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Adobe InDesign is taking the publishing world by storm and users are hungry for breakthrough solutions to their myriad concerns--from how best to manage the program's sometimes unwieldy interface to how to produce quality PDF files. Page-layout guru David Blatner and veteran trainer Anne-Marie "HerGeekness" Concepcion have scoured the online forums, interviewed Adobe engineers, and gathered together answers to over 200 of the most-commonly asked questions. Written in a sassy, fun-to-read style, this book tackles every major InDesign problem with a lay-it-on-the-line solution. "Adobe InDesign CS/CS2 Breakthroughs" is for anyone who has been using InDesign long enough to realize that the solution to their problems isn't always as obvious as one would expect.
Whether you're an experienced designer using InDesign at a fairly advanced level or a desktop publishing beginner new to InDesign-or making the transition from QuarkXPress-you'll find InDesign Production Cookbook chock-full of practical information, with quick solutions to real-world layout challenges. The book covers the very latest features in Adobe InDesign CS2 for Windows and Macintosh, including tips on using the program with Bridge within Adobe Creative Suite 2. Unlike the traditional "bible" approach to learning new software, InDesign Production Cookbook's unique combination of concise explanations, expert tips, and practical recipes will bring new users up to speed quickly, while pro...
Updated: June 2015. Author Peter Kahrel updated this Short Cut to cover InDesign CC. Several examples have been added, and most examples are now analysed in more detail. Updated: August 2010. Author Peter Kahrel updated this Short Cut to cover InDesign CS5. Updated: November 2009. Author Peter Kahrel updated this Short Cut to address typos and reader comments. GREP (short for "General Regular-Expression Print") is a powerful tool that lets you use wildcards ("jokers") to search and replace text. InDesign's GREP implementation can be used for text and also for formatting codes, finding patterns in text as well as literal text. GREP moves beyond the restrictions that hampered earlier InDesign search features, but unfortunately it does have the reputation of being difficult to master. As with many things, it can be challenging to learn, but, fortunately, a lot can be done with surprisingly simple expressions. The aim of this Short Cut is to show how to create simple but powerful regular expressions.
Start building ePub books NOW with this guide from bestselling HTML author Elizabeth Castro. Author Elizabeth Castro has sold more than three quarters of a million books on HTML.
Learn how to automate tasks in Adobe InDesign using JavaScript (and ExtendScript) with this guide that covers the fundamentals and beyond. Explore the InDesign Object Model and how to build page objects, style text, manipulate tables and frames. This is the essential guide for anyone who wants to get started with scripting InDesign.
Since the 1980s, metaphor has received much attention in linguistics in general. Within Systemic Functional Linguistics (SFL) the area of 'grammatical metaphor' has become increasingly more important. This volume aims to raise and debate problematic issues in the study of lexico-grammatical metaphor, and to foreground the potential of further study in the field. There is a need to highlight the SFL perspective on metaphor; other traditions focus on lexical aspects, and from cognitive perspectives, while SFL focuses on the grammatical dimension, and socio-functional aspects in the explanation of this phenomenon.
It was a joyous occasion when the Frazier and Ramsden families were united in marriage. Lovely seventeen-year-old Anne-Marie Frazier had no doubt that her future with Captain Bart Ramsden would be all that she had dreamed. But on a sea voyage to the Florida keys, where the Union and Confederacy were locked in war, a cruel twist of fate swept Anne-Marie from her husband's arms. Alone now at the mercy of a darkly dashing privateer who ruled an island paradise, Anne-Marie was tormented by yearnings, which made her helpless against his commanding passion. As gentle and adoring as he was with her, and as much as she returned his love in time - she couldn't give up her love for Bart. Nor could Bart forget Anne-Marie. Though he found comfort in his mistress, it was Anne-Marie he thought of through the long at sea and the longer days in a Union prison. If she were still alive, he would someday have her back again...Someday, when destiny at last fulfilled their desire's promise.
"Of all the aspects of making a book, design is perhaps the most mysterious. Authors and readers surely realize that covers are designed objects that, like it or not, books are commonly judged by. But a book's interior is also the product of a designer's careful attention to such matters as where the page numbers go or how wide the margins are. Even publishing professionals-editors, agents, marketing staff-often have only the vaguest idea of how designers use type, color, space, and other elements to turn manuscripts into visually distinctive and compelling books. This is the first book that explains what designers do for the benefit of all the "word people" involved in making (and enjoying)...
It is November 6, 1920, in Chilean Patagonia when Oriana Josseau is born into a lively family with two grandparents, two parents, and sixteen young aunts and uncles, most within easy reach of her robust cries. And so begins the life of an independent-minded girl from the bottom of the world who somehow manages to overcome the restrictions and biases of a conservative patriarchal society and eventually becomes a scientist. As her family relocates to the idyllic countryside of central Chile and then to the hectic complex society of Santiago, Oriana vividly recalls her reactions to such diverse events as the birth of her brothers; the abrupt transition from wealth to near poverty; her first ear...
A designer in New York creates a beautiful design but when she prints it the colors become muddy. An art director in Seattle sends a file to the print shop, and they call him to say the job won’t print. The editor of a college paper can’t figure out why all the pictures in the paper are jagged. And a freelance designer is Chicago needs to bid on her first print job. Linescreen, DPI, CMYK, RIPs, bleeds, spots, and spreads: Why didn’t they teach this stuff in design school? Sandee Cohen comes to the rescue, whether you’re producing your first newsletter or you’re an experienced graphic designer who needs to come up to speed on professional-level printing. She’ll tell you how to mak...