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Scripture And Pluralism
This book is a study of the multiplicity of ways the Bible was used by different groups during the Middle Ages. They explore different aspects of Christian Biblical Study in the face of the challenges of religious pluralism in the medieval and early-modern periods.
Juan de Segovia and the Fight for Peace
Juan de Segovia (d. 1458), theologian, translator of the Qur'ān, and lifelong advocate for the forging of peaceful relations between Christians and Muslims, was one of Europe's leading intellectuals. Today, however, few scholars are familiar with this important fifteenth-century figure. In this well-documented study, Anne Marie Wolf presents a clear, chronological narrative that follows the thought and career of Segovia, who taught at the University of Salamanca, represented the university at the Council of Basel (1431–1449), and spent his final years arguing vigorously that Europe should eschew war with the ascendant Ottoman Turks and instead strive to convert them peacefully to Christia...
Nicholas of Cusa and Islam
To explore Christian-Muslim relations at the dawn of the modern age, this book examines Nicholas of Cusa’s seminal works on the Qur’an and world religions. It also considers Muslim responses to Christianity and other Christian writings on Islam.
Juan de Segovia and the Qur’an
In spring 1456, with the help of the faqīh Yça Gidelli, Juan de Segovia accomplished a trilingual Qur’an (Castilian, Arabic and Latin) he regarded as fundamental to the conversion of the Muslims after the Ottoman conquest of Byzantium. This book delves into Segovia’s program, from his university lectures at Salamanca to the disputes held with Muslims in Castile, from the doctrinal debates at the Council of Basel to his exile in the Duchy of Savoy and the destiny of his books. Segovia deemed the await of miracles, preaching in Islamic lands, and the Crusade promoted by the papacy, to be useless. On the contrary, he considered knowledge of the Qur'an as unavoidable for Christian scholars...
The Character of Christian-Muslim Encounter
The Character of Christian-Muslim Encounter is a Festschrift in honour of David Thomas, Professor of Christianity and Islam, and Nadir Dinshaw Professor of Inter Religious Relations, at the University of Birmingham, UK. The Editors have put together a collection of over 30 contributions from colleagues of Professor Thomas that commences with a biographical sketch and representative tribute provided by a former doctoral student, and comprises a series of wide-ranging academic papers arranged to broadly reflect three dimensions of David Thomas’ academic and professional work – studies in and of Islam; Christian-Muslim relations; the Church and interreligious engagement. These are set in th...
The Religious Concordance
In The Religious Concordance: Nicholas of Cusa and Christian-Muslim Dialogue, Joshua Hollmann examines Nicholas of Cusa’s unique Christocentric approach to Islam. While many late medieval Christians responded to the fall of Constantinople with polemic, Nicholas of Cusa wrote a peaceful dialogue (De pace fidei) between Christians and Muslims as synthesis of religious concordance through the person and work of Jesus Christ. Nicholas of Cusa’s Christ-centered dialogue with Muslims sheds further light on his broader Christ centered theology over his entire career as philosopher and theologian. Drawing upon Nicholas of Cusa’s philosophical foundations for religious dialogue and peace, Joshua Hollmann convincingly proves that Cusa constructively understands religious diversity through the concordance of religion as centred in Christ.
Christopher Columbus and the Enterprise of the Indies
In 1492, previously separate worlds collided and began to merge, often painfully, into the world-system in which we live today. Columbus's four Atlantic voyages (1492-1504) helped link Africa, Europe, and the Americas in a conflicted economic and cultural symbiosis. These carefully selected documents describe the voyages and their immediate impact on Europe and the indigenous peoples of the Caribbean. Symcox and Sullivan's engaging introduction presents Columbus as neither hero nor villain, but as a significant historical actor who improvised responses to a changed world. Document headnotes provide context for understanding Columbus's voyages within the broader context of fifteenth-century Europe and the policies of the Spanish crown. Maps, illustrations, a chronology, questions for consideration, and a selected bibliography invite students to analyze and interpret the documents.
Surprise of Reconciliation in the Catholic Tradition, The
An examination of the contribution that could be made by the Catholic historical tradition to Christian social reconciliation. The authors hope that their work will result in fruitful Christian peacebuilding.
Medievalia et Humanistica, No. 42
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 42 showcases the interdisciplinary nature of the series with articles on late fifteenth century travel literature (Hans von Waltheym), the fourteenth century reception of a pagan tragedy (Chaucer’s Alexander the Great and the Monk’s Tale), the individuality of the heroes in the Middle English romance Amis and Amiloun, and the emergence of religious language in the Reformation period (Ulrich von Hutten). Volume 42 also includes nine review notices that illustrate the journal’s interdisciplinary scope.
Cuba and Its Music
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
