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KINdred Spirits
It is the year 1400, and the Carrington-Grey family is gathered together. On Lady Elena's mind, there is nothing more important than family, or kin. The Countess will protect her own. But as the years progress, her descendants make decisions that could threaten the Earldom itself-and, more important, the KIN.
Summertime on the Farm
The summertime book is written as a first person account about the author’s oldest daughter. Growing up on a small farm is hard work (for the parents and the children). There were always chores but there was also a lot of unscripted fun. Using the voice of her daughter the author describes what the children loved about growing up on the farm and the freedom they enjoyed. There were no electronics at that time and the children had to make their own fun. The wonderful Illustrators in this children’s book were all hired as freelance artists and illustrators from FIVERR. The author made a point of offering illustrations to artists from all around the world for this book, each had a different artistic flair. The last pages of the book include recipes from the text.
The Growing Business Handbook
The Growing Business Handbook is a superb reference tool for all businesses with growth potential, filled with invaluable insights and guidance from SME specialists in finance, HR, marketing, innovation, people and IT, as well as help on enterprise risk and useful legal advice. It is the reference source of choice to help you ensure and manage business growth, particularly in challenging economic conditions. Now in its 14th edition, this book looks at all the areas ripe for exploitation by your growing business and discusses ways you can manage the associated risks.
Spike Milligan's Accordion
“It’s all rather confusing, really” was one of the catchphrases used by Spike Milligan in his ground-breaking radio comedy program The Goon Show. In a series of mock-epics broadcast over the course of a decade, Milligan treated listeners to a cosmology governed by confusion, contradictions, fluidity and uncertainty. In The Goon Show’s universe, time and space expand and contract seemingly at will and without notice. The worldview featured in The Goon Show looked both backward and forward: backward, in the sense that it paralleled strategies used by schoolchildren to understand time and space; forward, in the ways it anticipated and prefigured a number of key features of postmodern thought. Winner of the Ann Saddlemyer Award 2017 of the Canadian Association for Theatre Research.
The London Gazette
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