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New Art in the 60s and 70s
Provides a richly illustrated study of developments in conceptual art during the late 1960s and 1970s, describing the use of alternative media and procedures, examining the cultural, political, and social context of the art, and analyzing the work of Sol LeWitt, Bruce Nauman, Robert Smithson, Eleonor Antin, Jasper Johns, Robert Rauschenberg, and other notable artists.
Conceptual Art and the Politics of Publicity
An examination of the origins and legacy of the conceptual art movement.
Rewriting Conceptual Art
"An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst." - back cover.
The Aesthetics of Disengagement
Reveals the artistic subjectivity of the scientific notion of depression.
The Arts
None
State of Mind
State of Mind, the lavishly illustrated companion book to the exhibition of the same name, investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism’s experimental practices and an array of then-new media—performance, site-specific installations, film and video, mail art, and artists’ publications—continue to exert an enormous influence on the artists working today.
On Reenactment
This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical disco...
The Infinite Line
A través de la obra de varios artistas -Rothko, Piero Manzoni, Agnes Martin, Dan Flavin, Eva Hesse, Blinky Palermo y Louise Bourgeois- se analizan aspectos innovadores del arte de los años 50 y 60, incidiendo en la tendencia a la repetición y la seriación que tiene lugar tras el declive del modernismo, empleada por el minimalismo y considerada como estrategia que genera nuevas formas de ver y pensar.
Conceptualism and Materiality
Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof. The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism’s neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art - a reassessment that carries wider implications for the study of art and materiality in general .
Earthworks
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
