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Examines the classical Islamic world through its greatest architectural sites and art treasures, providing examples of Islamic architecture, carpets and textiles, paintings, illuminated manuscripts, and calligraphy, and showing the evolution of their forms and styles.
In this inviting picture book, Jean-Paul Barbier, world-renowned historian and founder of the Barbier-Mueller Museum, recounts the moving and glorious history of, among others, the people who built Babylon, the Benin Kingdom, the Pyramids of Egypt and the statues of Easter Island. Mankind, at every crossroads in its development, at every latitude and in every continent, has been continually confronted with challenges. Here, Barbier looks at the way these challenges were met, recounting a past in which the grandiose, the mysterious and the human are intertwined. For the first time, a single volume presents all of these "vanished civilizations" in a synthesis which plunges us deep into the worlds of the past. Through beautiful and lavish photographs, this book invites you to discover such mysteries as the world of the Etruscans, the art of the Celts, the Olmec and the dawn of Mexican art, the grandeur and decadence of the Maya, and the mystical North American Indians.
The reign of the Mamluks marked a breathtaking flowering of Islamic art. Mamluk control of trade across much of the Middle East supported the artistic output that made Cairo, in the words of Ibn Khaldun, "the center of the universe and the garden of the world". This book shows off the majestic domes, courtyards, and soaring minarets that won Cairo its high praise. 170 color photos.
Medieval Arab notions of physical difference can feel singularly arresting for modern audiences. Did you know that blue eyes, baldness, bad breath and boils were all considered bodily 'blights', as were cross eyes, lameness and deafness? What assumptions about bodies influenced this particular vision of physical difference? How did blighted people view their own bodies? Through close analyses of anecdotes, personal letters, (auto)biographies, erotic poetry, non-binding legal opinions, diaristic chronicles and theological tracts, the cultural views and experiences of disability and difference in the medieval Islamic world are brought to life.
Covers all the major Roman amphitheatres and arenas, temples and baths, aqueducts and fortresses, but also Pompeii and Hardpan's Villa at Tivoli Monumental in scale and technically highly developed, the architecture that produced the forums, baths, and aqueducts of the Roman Empire still dazzles us today. This volume deals with Roman architecture in Italy, France, Spain, the Rhineland and North Africa. Starting with Villanova and Etruscan culture, it includes the major buildings of the late Roman Republic and principally those of the Empire. Pompeii, the Golden House of Nero, Hadrian's Villa at Tivoli, and the Diokletian baths among many more, are considered. This volume describes an architectural history that interprets the entire Roman culture rather than merely describing its buildings, offering a new and exciting contribution to the history of Roman Architecture.
Architecture, which can be understood in its most basic sense as a form of enclosure created with an aesthetic intent, first made its appearance in the Prehistoric Age. From its earliest developments, architecture changed over time and in different cultures in response to changing cultural needs, aesthetic interests, materials, and techniques. The A to Z of Architecture provides information on architects like Frank Lloyd Wright, Tadao Ando, Leon Battista Alberti, Filippo Brunelleschi, Michelangelo, and Konstantin Stepanovich Melnikov, as well as on famous structures like the Acropolis, the Colosseum, the Forbidden City, Machu Pichu, Notre Dame, the Pyramids of Giza, Stonehenge, and the World Trade Center. The dictionary examines the development of architecture over the centuries through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the major architects, well-known buildings, time periods, styles, building types, and materials in world architecture.
Egypt’s was the first non-Western country to undergo an industrial revolution. It was a major commercial center during the 19th and early 20th centuries. It was one of the first countries to have (albeit briefly) a constitutional government. Its struggle for independence was among the earliest in the non-Western world. Its capital, Cairo, has served as a headquarters and a meeting place for nationalist leaders. Its schools and universities attracted students from many other African and Asian countries. For the Arab world, its educational and legal institutions set the pattern that most other Arabic-speaking countries have followed. Its books, magazines, and newspapers circulate widely. Its...