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Don't let doubt rule your life. Many people are so paralyzed by the fears of tomorrow that they forget to focus on the wonders of today. But with the help of Undoubtedly Awesome, you can conquer your fears and better understand your goals, dreams, and unique decision-making processes-and thereby achieve the personal success your uncertainty and indecision have held you back from. Author Anne Tucker, an international speaker on the decision-making and leadership techniques she's developed, now shares her unique perspective and theories with you! With this new self-help guide, you can learn how doubt negatively affects your life and keeps you in a constant loop of anxiety, gain insight into th...
"Specifically, the work of ten twentieth-century American women is presented. When discussing both art and sex, it is much easier to remain within the cultural confines of one country. Ten is an arbitrary numer; it could just as easily have been a book of twenty or fifteen or eleven. Those included are Gertrude Käsebier, Frances Benjamin Johnston, Margaret Bourke-White, Dorothea Lange, Berenice Abbott, Barbara Morgan, Diane Arbus, Alisa Wells, Judy Dater, Bea Nettles. These photographers could have been replaced by others, equally as talented but with their own styles and interests. Among those missing are Imogen Cunningham, Doris Ulmann, Anne W. Brigman, Lotte Jacobi, Laura Gilpin, Lisette Model, Mario Palfi, Naomi Savage, and Marie Cosindas, to name but a few."--Introduction.
CHOICE Outstanding Academic Title, American Library Association (2021) From the earliest stirrings of southern nationalism to the defeat of the Confederacy, analysis of European nationalist movements played a critical role in how southerners thought about their new southern nation. Southerners argued that because the Confederate nation was cast in the same mold as its European counterparts, it deserved independence. In Newest Born of Nations, Ann Tucker utilizes print sources such as newspapers and magazines to reveal how elite white southerners developed an international perspective on nationhood that helped them clarify their own national values, conceive of the South as distinct from the ...
Living the Changes explores the nature and extent of women's changing realities. The contributors include writers, artists, academics, street kids and social workers, and range in age from nine to seventy-three. Their topics reflect the diversity and complexity of the concerns of contemporary women – birthing and aging, body image, culture, drugs, violence, sexual abuse, prostitution, reproductive technology, and spirituality.
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In mid-April 1814, the Virginia congressman John Randolph of Roanoke had reason to brood over his family's decline since the American Revolution. The once-sumptuous world of the Virginia gentry was vanishing, its kinship ties crumbling along with its mansions, crushed by democratic leveling at home and a strong federal government in Washington, D.C. Looking back in an effort to grasp the changes around him, Randolph fixated on his stepfather and onetime guardian, St. George Tucker. The son of a wealthy Bermuda merchant, Tucker had studied law at the College of William and Mary, married well, and smuggled weapons and fought in the Virginia militia during the Revolution. Quickly grasping the s...
During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.
Robert Frank's and Todd Webb's parallel 1955 projects to photograph America are considered in the context of mid-twentieth-century American culture In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924-2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication The Americans (1958). Todd Webb (1905-2000) walked across the country, searching for "vanishing Americana and what is taking its place." Unaware of each other's work, the photographers produced strikingly similar images of the highway, parades, and dim, smoky barrooms. ...
In 1987, Te Ata (1895–1995) became the first person ever declared an “Oklahoma Treasure.” Throughout a sixty-year career, her performances of American Indian folklore enchanted a wide variety of audiences, from European royalty to Americans of all ages, and Indians from across the American continents from Canada to Peru. Richard Green’s beautifully written biography of Te Ata is based on extensive research in the artist’s personal papers, memorabilia, and the letters and photographs exchanged between Te Ata and her husband, Clyde Fisher.