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Concise Dictionary of Women Artists
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
2012
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Fear and Loathing in the North
Due to the scarcity of sources regarding actual Jewish and Muslim communities and settlements, there has until now been little work on either the perception of or encounters with Muslims and Jews in medieval Scandinavia and the Baltic Region. The volume provides the reader with the possibility to appreciate and understand the complexity of Jewish-Christian-Muslim relations in the medieval North. The contributions cover topics such as cultural and economic exchange between Christians and members of other religions; evidence of actual Jews and Muslims in the Baltic Rim; images and stereotypes of the Other. The volume thus presents a previously neglected field of research that will help nuance the overall picture of interreligious relations in medieval Europe.
The Varnish and the Glaze
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth,...
Women Artists in Paris, 1850-1900
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
An Old Norse Biblical Compilation
One of the great achievements in the field of religious letters and literature of medieval Scandinavia was the appearance of Bible translations. The present study examines the origin and the sources of a West-Scandinavian translation of great parts of Genesis and Exodus from the first decades of the fourteenth century. It sheds light upon how the sources were drawn on and how scholastic theology may have influenced the work, and thus it offers new insights into the process of transmitting the Biblical message into European vernaculars.
Nineteenth-Century Women’s Movements and the Bible
Nineteenth-Century Women’s Movements and the Bible examines politically motivated women’s movements in the nineteenth century, including the legal, cultural, and ecclesiastical contexts of women. Focusing on the period beginning with the French Revolution in 1789 through the end of World War I in 1918, contributors explore the many ways that women’s lives were limited in both the public and domestic spheres. Essays consider the social, political, biblical, and theological factors that resulted in a multinational raising of awareness and emancipation for women in the nineteenth century and the strengthening of their international networks. The contributors include Angela Berlis, Kristin Kobes Du Mez, Ute Gerhard, Christiana de Groot, Arnfriður Guðmundsdóttir, Izaak J. de Hulster, Elisabeth Joris, Christine Lienemann-Perrin, Amanda Russell-Jones, Claudia Setzer, Aud V. Tønnessen, Adriana Valerio, and Royce M. Victor.
Queering Norway
The articles in this collection indicate the still powerful role of queer theory in questioning the political, social, cultural, institutional hegemony of heterosexuality in culture and society at large as well as in academic research institutions. Written from the perspective of the northern European periphery, Queering Norway specifically reflects the challenges queer theory poses for ways of thinking about sexuality and identity in Norway. At the same time, the questions raised in the articles have wide relevance. From within their various fields (sociology, anthropology, ethnology, archeology, linguistics, psychology, media studies and religious studies) the writers attempt to develop a language enabling them to recognize the multiple social relations possible in contemporary societies, a language in which neither "queer" nor "homosexual" ousts the other, but in which the goal is to work, read, and write in the in-between spaces where no single difference is elevated above any other. This book was published as a special issue of the Journal of Homosexuality.
