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Subjective Atlas of Palestine
"The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it ... the contributions give an entirely different angle on a nation in occupied territory."--Back cover.
Design Dedication
This book makes a plea for adaptive mentalities within design pedagogy through a non-normative approach to design practices. It investigates an attitude in and towards design education that is socially engaged, politically aware, generous in approach, lyrical in tone, experimental in form, and collaborative in practice. Additionally, it explores the kinds of work being developed and how an institute can be responsible in supporting an securing these modes of practice. The book is geared towards design students and educators worldwide, and includes a selection of works developed in the context of the Design Department of the Sandberg Institute in Amsterdam.
Subjective Atlas of Brussels
Brussels is an amalgam of juxtapositions: a place that inspires you to dream away on sultry summer nights before hitting you with its rough reality the next day. It is a city that you slowly fall in love with until you can no longer imagine wanting to live anywhere else. However, it’s a special kind of love, a kind of love that keeps you critical, a kind of love that keeps you questioning the space that you inhabit as you wonder how we as a community can do better. This Subjective Atlas of Brussels showcases the work of designers, artists and other creative minds who all share this kind of love for Brussels, depicting the diverging narratives and histories of different spaces, allowing us to dwell on the fascinating snapshots that make up this great metropolis. Discover how more than 80 Brusseleirs have mapped what this capital means for them at this moment in time.--
Design in Conservative Times
Design in Conservative Times tackles conservatism in and around design, challenging both designer and user to actively engage with, and reflect upon their positions within our current, politically charged landscape. The focal point of this reflection at large ranges from hands-on issues within specific practices, to the broader, more fundamental motivations that fuel them. Within this book, Onomatopee wishes to explore the conservative currents and cadence in and around design(ed) culture. By inviting both graphic design and fashion design professionals to comment, reflect, promote, critique, provoke and/or contemplate on conservative culture in relation to their own visions, design practice and designed goods, we wish to lay bare the intricacies and dynamics of design(er) in society today. As a result, issues of feminism, decolonisation, queerness, engagement, ecology, production and preservation in relation to conservatism today come to the forefront of conversation.
The Politics of Design
Many designs that appear in today's society will circulate and encounter audiences of many different cultures and languages. With communication comes responsibility; are designers aware of the meaning and impact of their work? An image or symbol that is acceptable in one culture can be offensive or even harmful in the next. A typeface or colour in a design might appear to be neutral, but its meaning is always culturally dependent. If designers learn to be aware of global cultural contexts, we can avoid stereotyping and help improve mutual understanding between people. Politics of Design is a collection of visual examples from around the world. Using ideas from anthropology and sociology, it ...
I Used to Be a Design Student
This book offers a rare chance to read what graphic designers feel about their education and profession. Fifty influential designers give the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning, making this a must-read for anyone embarking on a career in design. The book looks at the process a designer goes through in finding their 'voice'. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it's really possible to teach design. Contributors include Stefan Sagmeister, James Goggin, Karlssonwilker, Studio Dumbar, Cornel Windlin, Daniel Eatock, Spin, Hyperkit and Christian Küsters.
Atlas of the Conflict
This atlas of the Israeli-Palestinian conflict maps the processes and mechanisms behind the modification of the country during the last 100 years both on a policy level and in its physical implementation on the ground. Alongside providing an indispensable reference book on the specificities of the conflict, the atlas also provides lessons on a broader front, particularly in connection with disputes over former colonial territories and natural resources. Illustrated throughout with full-colour illustrations, maps and diagrams.
Social Design Cookbook
Why do people turn their homes into a restaurant for a day? Why do people volunteer for scientific or community projects without getting paid? How can one get people actively involved in social projects? Social Design Cookbook uncovers what it takes to organise successful and sustainable social initiatives. It features comprehensive case studies of a broad, international selection of social cooperative formats that have been successful in their local communities and have also been successfully replicated in other locations and contexts. By looking at an array of such practices, the authors have developed the Social Design Canvas, which can be used to analyse and design new forms of social co...
Design Struggles
This publication offers a critical assessment of the complicity of design in creating, perpetuating, and reinforcing social, political, and environmental problems, both today and in the past. It proposes going against the grain by problematising Western notions of design to foster situated, decolonial, and queer-feminist modes of disciplinary self-critique, and looks at design through the intersections of gender, culture, ethnicity, and class. Applying robust scholarly insight with engaging and accessible modes of conveyance and storytelling, an urgent and expansive array of voices and views emerge from those engaged in struggles with, against, or around the field of design.
The Making of PAPA
"PAPA - participating artists' press agency - is an international, curated network of artist-correspondents, initiated and led by Lino Hellings. PAPA is nomadic, it doesn't have a fixed office but works from temporary offices in cities all over the world. Projects can be self-initiated or commissioned by third parties. PAPA is an instrument for world mapping, gently fixing even the most stubborn pieces into meaningful patterns. PAPA's street level observations inspire a broad audience and inform specialist arenas as art, city development, politics and the news industry. PAPA's working method is based on 'reading the street'. The correspondents go out with a camera and picture 'what catches t...
