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Byzantine Images and their Afterlives
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr’s interests and the equally wide impact of her career. They are linked by Carr’s expansive body of work, which ties together issues of patronage, production and influence across the medieval Mediterranean. The volume examines influences in manuscript production and reception, imperial patronage, relics and reliquaries, form and style in Cypriot architecture and icons, and the relationship between original and copy in medieval art.
Cyprus and the Devotional Arts of Byzantium in the Era of the Crusades
Professor Carr is concerned here with the devotional arts of the Byzantine world in the period from the twelfth to the sixteenth century. The first set of studies deals with groups of illuminated manuscripts of the twelfth century, mostly connected with the Eastern Mediterranean, while the second focuses directly on Cyprus and its rich Orthodox visual heritage in the later Middle Ages. As Byzantium's strongest bridgehead to the Crusades and its heir in the Levantine balance of power, the island of Cyprus retains an exceptionally rich legacy of Byzantine culture and artifacts. At the same time, as the seat of the most enduring Crusader state, it offers unparalleled testimony to the interplay of Greek and Latin cultural traditions as they accommodated and resisted one another under the pressure of Mamluk, Mongol, and Ottoman expansion.
Famagusta: Art and architecture
The first of two volumes designed to assemble and consolidate the current state of research on medieval Famagusta, this book is devoted to the city's imposing artifactual remains. Its initial chapters analyse the architecture of the surviving Latin, Greek, and East Christian churches, tracing the city's distinctive form of Gothic as it developed across the various creedal communities, and examining its impact on the rest of the island. Ensuing chapters turn for the first time to the liturgical furnishings in the churches, and to their painting. Uniquely in Cyprus, Famagusta preserves - if tenuously - paintings in Latin-, Syrian-, and Armenian-, as well as Greek-rite, liturgical spaces. Of exceptional interest are the abraded murals of the Greek cathedral of St. George. Two final chapters explore the cultural activity of the Genoese in the city, and the dramatic restoration of St. George of the Greeks as Famagusta's most visibly Venetian church.Volume II, due in 2015, will analyse Famagusta's society, economy, and historiography.
Cyprus and the Balance of Empires
Between 491 and 1191 AD, Cyprus was influenced by various political and cultural centers that vied for dominance in the Eastern Mediterranean. This collection of essays primarily focuses on the island's archaeology when it was governed by the Byzantine capital of Constantinople. Greek and Orthodox Christian identity was cultivated during this period, which provided a sense of unity among the various provinces; and yet, the surviving historical and archaeological data concerning Cyprus is unique in that it expresses both local and regional characteristics. By investigating the various threads, whether textual, numismatic, architectural, or artistic, narrative has emerged that challenges our p...
Imprinting the Divine
A history of icons in the Menil Collection Clare Elliott -- The icon and the museum Bertrand Davezac -- How icons look Anne Marie Weyl Carr -- Icons from the centuries of the Byzantine Empire (AD 324-1453) Annemarie Weyl Carr, Bertrand Davezac -- Post-Byzantine icons from the Balkans, Greece and the Islands -- Russian icons
Byzantine Religious Culture
Alice-Mary Talbot has profoundly influenced Byzantine Studies in America and Europe, focusing her scholarship upon the social context of Byzantine religious practices. As Director of Byzantine Studies at Dumbarton Oaks and as editor of Dumbarton Oaks Papers, she touched the professional lives of senior and junior Byzantinists alike. This collection of twenty-five articles from scholars associated with her at various stages in her career compasses such varied disciplines as art history, social history, literature, epigraphy, numismatics and sigillography; contributions are grouped in three related sections: “Women,” “Icons and Images,” and finally “Texts, Practices, Spaces.” Illus...
Cyprus
The only one-volume scholarly survey of the ethnic groups, economy, religion, literature, and art of the multicultural Lusignan Kingdom of Cyprus during the first centuries of Frankish rule following the conquest of the Byzantine island in the Third Crusade.
Byzantium
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries...
A Companion to Byzantine Illustrated Manuscripts
This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including ...
